Showing posts with label Orwell. Show all posts
Showing posts with label Orwell. Show all posts

Wednesday, August 10, 2022

On The Road With Al And Ivy: A Literary Homeless Chronicle - August 2022



I know there are readers in the world, as well as many other good people in it, who are no readers at all,—who find themselves ill at ease, unless they are let into the whole secret from first to last, of every thing which concerns you.

- Laurence Sterne (The Life And Opinions Of Tristram Shandy 1759)

PART 2: The Mystical Bond Between Women And Cats

The mystical bond between women and the feline race was shrouded in mystery until 10432 B.C. when universal literacy via comic books and graphic porn novels made it possible for menkind to collectively ascertain why women were suddenly less willing to worship males as Gods.

A few far-sighted males postulated it was because they cheated, used the same socks all week, ate smoked sardines without brushing afterward, fell asleep immediately after sexual congress, engaged in farting contests, picked their toes, gambled family funds, killed each other for sundry reasons, and only hugged each other, but those heretics were quickly relegated to slave duty on galleys for trying to make it seem like it was a guy's fault.

The late Professor Ivy of Shitzu U made the first important discovery of this mystery of mysteries in 1897 A.D. while sniffing an ancient tree reputed to have sprouted from an acorn in the Celtic Age of White Witches and where successive generations of canine scholars had left more pieces of the puzzle in the hopes that those of a more enlightened age would aggregate the data and understand both the spiritual bond and what stuck up jerks cats are.

This set Ivy on a journey that spanned several continents (in doggie parlance, that meant several different trees and fire hydrants) and an astonishing pattern began to emerge. It became evident that women delineated this meowing relationship in veiled terms, similar to how men explain what they were doing that evening to their wives after coming home at four in the morning.

The breakthrough came in 2,567,90 A.D. when the Internet made it possible to access every book written by women published by male editors and publishers, which conveniently fit into a searchable two-volume set.

Professor Ivy made the stunning discovery that in 123,456,678 A.D., a poet named Jezebel McManus (immortalized in her autobiography "I, Ivy" due out in Sept. 2022) published a poem called "Men Are Horn-dogs," which was an intricate key that unlocked hidden messages in women's literature throughout the ages.

The furry scholar found that the line "Is aoir a tha so agus r'a leughadh a mhĂ in air son dibhearsain" is a cipher key that if applied to Emily Brontes' Little Women, the actual title is "Little Kitties." [Citation needed, when it was noted by theological scholar Hiram Glyphic, aka "Jesus Guy," that the actual author was Louisa May Alcott, said blog writer referred all questions to the A.I. blog generating bot who calls herself Mimee and was, he claims, the actual author of the particular passage]

Indeedy indeed, after this breakthrough, there poured forth a flood of revision and literary phraseology more awkward than found in this blog; such as the story of the Viking Goddess Freya, who was said to have driven a chariot pulled by fearsome lions but in reality, never let her precious kitties do such backbreaking labor and used studly males to pull her negative carbon-emitting vehicle. [Citation needed, actual carbon figures omit the methane from the farting contests that the male servants would engage in]

The symbology key hidden within Jezebel's work shows that the ancient stereotype of a housewife hitting her husband in the head with a frying pan is actually a bowdlerization of the suppressed epic stories of statuesque Amazons who carved up the ranks of woosy Greek Hoplites like a Ginsu knife through tofu, and Princess Paris (described by Greek social media star Homer as a prince) did, in fact, choose a super cute Siamese furbaby over the Gods Mars and Apollo in the famed beauty contest which resulted in the Trojan War. [Citation needed, Blogger admits that Mimee has oversimplified the revised myths into a convoluted run-on sentence but admits entering "must be tweet or Tik Tok length" as a programming variable for all return value output. He hopes the explanation will bring clarity to the readers of this blog]

I'll take a moment here to note that these accounts may seem to be slanted towards a sacred feminine view but think of it as a valuable exercise in what history might look like if women wrote it instead of men. 

Luckily, thanks to the democratization of historical scholarship on the Internet, all are invited to add their two cents to the imposing mass of data that'll confuse and dismay historians centuries from now.

Now, we continue with regular programming...

Professor Ivy found that in Jezebel's cipher key, every third letter in the second paragraph of her poem created words that appeared to be gibberish, but by taking the second letter in each subsequent paragraph and repeating the process a million times as specified by the Infinite Monkey Theorem (first alluded to by Aristotle) a cogent sentence emerges, which translated to English, reads "Women and kitties smell better than men."

Although menkind could understand straightforward concepts like going to war for oil and betting on professional sports, the sublime aesthetics of a woman's love for tabbies defied comprehension by pragmatic warriors used to a more butch approach to relationships, who then decided such perversions must be unnatural and evil.

This led to the creation of vituperous mythologies such as the alleged partnership of witches and black cats, felines being even fussier than men about prepared food, and the defamatory assertion that the pointy-eared tribe are a bunch of snobs.

These sexist misconceptions will be shattered in part 3 of the series of "Women and Cats" in the September blog entry.



A few weeks ago, I made an exception to my usual practice of avoiding the purchase of new titles in a used book store. 

The book is one of the four volumes of Orwell's essays and letters edited by Sonia Orwell and Ian Angus, which originally came out in the 70s. [Citation needed, Blogger has stated a publication date without bothering to check first, but when confronted with that fact, he replied that for Boomers like him, senility is the new 60, and dates are whatever, man…]

I bought the four-volume set back then, as it was the only way to get a comprehensive collection of his nonfiction writing at the time. That may be hard to believe now, as there are a lot of compilations available these days, but this set was a revelation to many who only knew him as the author of Animal Farm and 1984.

This paperback costs more than the original set, and as a rule, I wait until a used copy comes along. However, the chance of any of the four volumes becoming available as used copies is probably nil. There are plenty of inexpensive compilations that collect most of his important essays and book reviews (all of which I've purchased of course), and even though letters and previously unpublished works comprise much of the new material, most people probably don't see much point in reading that kind of stuff.

That's true for me, too, to be honest, but I did remember reading all four volumes several times and figured that the three used books I was interested in weren't as good a purchase as this.

Orwell's letters were written during an era when good correspondence and conversation were esteemed (going back to ancient times). In fact, with one prominent literary figure, Samuel Johnson, a great deal of his fame rests with a biography written by James Boswell, who recorded many of the remarkable conversations by this much sought after dinner guest, and attained literary fame for doing so.

There was a time when being able to say that one was engaged in an exchange of letters with a figure like Voltaire was a must in educated (or richer) circles, and even in modern times, people like Orwell put a great deal of thought and time into it. You can see in this book that he wasn't just a "Socialist writer" and that his literary sensibilities encompassed a wide range of genres from trash, poetry, and highbrow.

Many might be surprised to know that he was passionate about poetry and a scholar and expert on the subject.




Orwell derived a good part of his living from writing reviews, and even if the book appeared to be on a fast track to a bargain bin, he was professional enough to realize that the reader wants to know that the reviewer actually read the book, and has real thoughts and insight on it. So in Orwell's best work, a reader could get a clear idea as to what the book was about, with context. His best reviews read like a great coffee house chat, if you know what I mean.

That's not an easy thing to teach or quantify, and it can require a writer to go out on a limb and risk being wrong. His reviews of Jack London's books (in later volumes of this set) nail the atavistic undercurrent, while others, like his essay on Dickens are more like exploration or a literary meditation that doesn't quite get there, but shows a desire to understand the appeal of that great author.

The current Orwell compilations are an excellent introduction and, for most readers, probably all they'll need. However, the focus on the more celebrated essays and reviews can create an impression that only his critique of major writers were important or of interest to the average reader. 

It's understandably easier to sell an Orwell essay collection if he's talking about Dickens or Tolstoy, than "Searchlight On Spain" by the Duchess Of Atholl. Still, he wasn't a hack and approached every review with sincerity even if the book wasn't ultimately interesting.

Orwell kept in touch with other writers and friends and often got into involved discussions about books and issues. In one letter to Brenda Salkeld he talks about James Joyce's "Ulysses" with a more casual and personal view than in his formal reviews. It's an interesting train of thought written during a time when the book was more current, and people were still making up their minds about it.




Another example is his 1935 review of Henry Miller's Tropic Of Cancer, which had been published the year before and wasn't easy to find. It was written before the controversies and banning, and to Orwell, it was a work by an up-and-coming author. 

He felt that the book was remarkable and that people should try to get a copy and read it, but his view of the characters was less adoring than more recent writings by others.

His description of Miller and his friends was "the out-at-elbow, good for nothing type," most of whom were freeloading regulars at the local brothel. Which, as he saw it, was the whole point, that it was about a seamier, more "common" view of life that didn't generally make it into novels (at the time).

The final words of the review are, "I do not imagine that in Tropic Of Cancer, I have discovered the great novel of the century, but I do think it is a remarkable book and I strongly advise anyone who can get hold of a copy to have a look at it."

In 2022, perhaps a good many admirers of the book would say that Orwell was wrong or didn't see the genius but frankly, his review caught the essence of the work better than many of the recent opinions I've read. 

The appraisal of a classic can accumulate a lot of mythology and consensus that can, on the one hand, give it new relevance but skew the perception of a book and even the message.

Which is all just good old fashioned fun in the art world, even if the revisionism is amplified by posers who want to give others the impression that they've actually read the book in question or impress a date (though sensible single women get wary if the man claims to read books).

For many readers, Volume 3 and 4 would be more enjoyable. Those show a writer at the peak of his powers and the letters exude the confidence of someone who's been published and widely read within his circle (though his success with fiction was mixed).

Calling this a book for aficionados might not be exactly the term I'm looking for, but if you've read his essays then this volume will be a revelation as it shows an intimate glimpse of the person who wrote what are now very influential books and essays.

I'll go ahead and reread this one. With a writer this good, there'll be something I missed the last time through.





The other day I came across an old Facebook post that was supposed to be a clever life hack that turned a bra into a "gas mask." 

One problem is, unless the woman carries the bra in her purse (which would make it almost impossible to find), it would have to removed on the spot, which isn't practical to do in public for reasons that don't need to be explained.

However, as a public service to those who don't get enough lecturing and know-it-all blurbs on social media and cable news, and desire an explanation, here are insights reprinted from the unpublished book by the late Professor Ivy Of Shitzu U, "How To Prepare For The End Of Civilization."

As far as homemade gas masks, the good Professor states:

"For protection against modern gas or biological weapons, any mask without eye protection is useless. Chemical agents like nerve gas also attack through exposed skin, like when you take the bra off to make the mask. Plus, many men will die due to staring at a woman's exposed mammaries instead of taking emergency measures, and society will usually blame her.

If you really must try to survive a gas attack, then one stupid life hack is to put your head into a plastic bag (clear one if possible) like your parents told you not to do, and that'll give you about three minutes to exit the area before suffocating to death (subtract one minute if you haven't taken your anxiety meds)."

Professor Ivy adds, "If you haven't popped all the air pillow wrap from your Amazon packages, then your life can be extended by a few more seconds by cutting a hole in an intact pillow and sticking your nose in it. More than enough time to post your demise on Tik Tok and Twitter."

Stunning truths, to be sure!

The noted canine scholar also added some historical background to explain why people would even conceive of a gas mask made from a bra, excluding the possibility that the idea came from a male, who would, of course, never advise using a jock strap for the same purpose.

Ivy's book relates:

"The modern origins of covering nose and mouth with cloth stem from the first Battle Of Ypres in World War One. The Germans achieved complete surprise with the first use of chlorine gas which devastated the Allied front line trench.

Two groups of soldiers survived the attack; the ones who high-tailed their butts out of there and those who improvised gas masks by using a cloth soaked in wee wee."

Trench warfare was, in reality, a siege where both sides needed food and water brought up by support troops. Needless to say, both sides knew this and would regularly bombard all likely routes taken by logistical personnel trying to deliver supplies to the front.

The use of urine wasn't due to any known scientific principle at the time. It was common sense that a wet cloth does a better job of filtering, and urine might have been an improvisation by those who had empty canteens due to the prolonged preliminary shelling cutting off supply.

The learned Professor continues in chapter 3, "What was learned in this attack was, although a soldier's best chance of survival was to take off like a scared bunny, military necessity required any personnel below the rank of General to stay in the trenches to meet the attack that was sure to follow any deployment of gas."

The Shitzu Sage added, "Even leaders at the staff level realized that it would be impossible to get normal human beings to sit still in a gas attack without protection. Thus the constant development and improvement of gas masks continues to this day.

It would seem that the United States would have the technological muscle to make sure every citizen has a gas mask in every pot (chicken is too expensive now) or at least as many as subcontractors in China and India can manufacture in sweatshops to meet demand." 

The furry scholar's view may seem cynical, but Mimee, the new A.I. Blog Generator, adds an observation that emphasizes the positive,

"The Government will half-ass it until people start dying, but the sleeping giant will awaken and handle it as effectively as they would a pandemic or autocorrect software."

Reassuring words indeed!

However, a more jaundiced view was expressed by noted think-tank writer, Nymie "The Kitty" Katt, who noted in 2345,99,000 A.D. that "Most victims in, say, a V.X. Gas attack, would have one to ten minutes to live depending on the length of exposure and how much processed food was eaten."

The shaggy-eared Academic doesn't deny that penetrating observation but adds:

"Most V.X. Gas attacks would originate from a NATO country, most of whom wouldn't attack the U.S. Such an action would be unlikely as the standard response would be a nuclear attack, being force fed Kale chips, or cancellation on social networks.

The most likely scenario, terrorism by a rogue state or homegrown, would be devastating but localized, and it's believed that most Americans would prefer that terrorists target NYC, California, Texas, or Florida depending on their political affiliation."

Although this isn't helpful to those in an actual chemical attack, the Professor notes: "All wouldn't be lost. There's time to do maybe one or two items on your bucket list that only takes a minute while gasping for air."

This may seem like facile advice from an admittedly intelligent dog who thinks nothing of smelling butts and human feet, but the truth is a hard road that anyone earning less than $1,234,567,890 a year must follow.

The long-eared sage with the fluffy tail concludes in Chapter six of her book, "Hoc satirarum fragmentum non contemnitur."

Editor's Note: Those who are astounded by the pungent insights of Professor Ivy Of Shitzu U can delight in her upcoming autobiography, titled "I, Ivy" due out in September 2022.

- Al Handa
   August 2022



Those who’d like to read a preview of the book, “I,Ivy” can read the first three chapters on Kindle Vella until August 28. After that date, it will be taken down and combined with the unpublished chapters to create the ebook version in September.




The ebook “On The Road With Al & Ivy: The Anthology Volume 1 2016-2018 is now on Kindle Unlimited!

I’ll run free promotions later this month, but members can read it for free now.



Please check out and listen to my music on Spotify, YouTube, Apple Music and other music sites. Add any cuts you like to your playlists!






Saturday, March 19, 2022

On The Road With Al and Ivy: A Literary Homeless Chronicle - March 2022



"If she moves her eyes and opens her mouth just a little, the world she's trying to refuse will rush into her instantly..."

- Yukio Mishima (The Temple Of The Golden Pavilion, 1956)

The first historical example of free speech was in 200,000,000 B.C. which was documented on a Sumerian cuniform tablet unearthed during a Huntsville, Alabama Easter Egg hunt in 1978 by a child who unfortunately damaged the document by trying to eat the relic thinking it was a peanut butter chocolate egg. [Citation needed, some critics claim that the petrified fragment was actually a boiled Easter egg that was left in the field from the previous egg hunt in 1977]

The ancient excerpt, which an internet expert (who declines to identify himself) says is part of the first volume of the Lost Gospel of Murgatroyd, relates that the great King Nubilecanazzer McDougal the Glorious One, had just sentenced a peasant to several days of torture for unauthorized viewing of the Queen's royal buns (everyone just wore jewelery and yoga pants in those days) and the wag replied that said offense was impossible because the blinding light from such a shiny glutus blinded his wretched eyes.

This clever paradigm of free speech lasted about two minutes before the Monarch ordered a guard to cut the trailblazer's head off. The King's proclamation specified that any remarks the head might make while on display in the parking lot of the local supercenter were not subject to the King's approval. This was the first known example of protected speech as a matter of law.

...further evolution of free speech...

Internet scholar and Shitzu U Professor IvyDog noted that ancient tribes living in what is now the city of Chicago determined that it was probably better that any last words be spoken before execution, and to allow wide latitude over the subject matter, since any smartass remarks would be punished in the afterlife by the God's in a galaxy far away.

There's always been free speech. The question was how long the speaker would live afterwards, or if the point was worth the calories necessary to move the mouth muscles to form the words.

The Founding Fathers who created the U.S. Constitution kept the matter purely in the legal sphere, if for no other reason that it's virtually impossible to prevent societal suppression which ranges from angry mobs, gatekeepers, cancel culture, commissar types, or anyone offended enough to beat the crap out of the speaker. 

Think in terms of adolescent behavior and you'll get the picture. In the words of the great German theorist and war monger, Santaclausewitz Dill, "War is just a continuation of high school scheisse."

...the First Amendment...

The savvy Internet user knows the First Amendment was created to allow people to insult each other and express banalities that no one wants to hear in the hope that something profound or relevant might be expressed, though decades of web activity indicates that it's a long shot.

Indeed, free speech needs to be nurtured and protected, unlike butt kissing, compliments, flattery, arguing about football, lying on dating site profiles, deceptive sales pitches and claims of superhuman sexual prowess or spiritual divinity (particularly in the music industry) which historically have met with enthusiasm and acceptance.

The thing about the concept of free speech is that the letter of the law states that it's an absolute, but like the Gospel or the process of scientific discovery, mankind has added the innovation of the "spirit of the law" concept which allows such pure ideals to be riddled with loopholes, exceptions, abuse, and of course, anything that expedites the process of squeezing every last dollar from people.

In other words, you can say wherever you want, but you'll be punished for it by every legal and extralegal means possible. A person can publish a controversial book, for example, but others may ban it, burn it, give it an insulting one star review or heaven forbid, not buy it. Married couples and families say things to each other that would normally require trauma counselors in the public arena.

...just sayin'...

Actually, just talking will get you into trouble these days, particularly on the Internet which guarantees the right to punish free speech. American jurisprudence recognizes this and the Fifth Amendment protects the right to clam up and not say anything that might incriminate them. 

It goes without saying that it also means that others will assume guilt, put words in the uncooperative poltroon's mouth, concoct outrageous theories to explain the silence, and relentlessly try to badger and  intimidate them into speaking, and that's just sports talk radio and cable news; it gets even tougher in the real world.

Silence is often considered a sign of submission but if that was all there was to it, then despots wouldn't need secret police and informants. No fascist is truly happy until they control what's going on inside people's heads.

...a penny for your thoughts...

Suppressing free speech is generally about thought control, or as George Orwell put it in his essay, The Prevention Of Literature, "Even a single taboo can have an all-round crippling effect upon the mind, because there is always the danger that any thought which is freely followed up may lead to the forbidden thought."

Although the most common examples are religious or political; suppression of free speech and thought is also present in the social or artistic spheres. The desire to create unity or agreement often degenerates into conformity, coercion, peer pressure, and expensive vinyl record box sets.

Whether this or that group eats it's own or turns into a snake pit is irrelevant to most people (if they're consenting adults) but it's a issue for an artist doing a noncommissioned work. There's always a conflict between integrity and compromise.

Political oppression is or isn't a factor depending on what country you're talking about. In the U.S. an artist can get away with almost anything in the political sphere (in their melancholy search for controversy). Pressure generally comes from society or peers which can result in being shunned or a tendency to self-censor.

...perception...

That's as far as I'd go in commenting on the political aspect as, particularly in regards to the Internet, because the further one goes into the subject, the more it becomes about perception and context.

It's the same with maintaining artistic integrity in the face of market forces. The line between that pressure and the artist's ability to produce salable art can get pretty blurry. An artist can create a work that glorifies or advocates commiting a crime or socially unacceptable act, but any resulting controversy can't necessarily be characterized as an attack on free speech if the aim was to get people to fork over the cash.

A classic attack on free speech uses tactics or measures to prevent it in the first place. Once the idea is openly expressed any oppressor is half-beaten. That's why totalitarian forces use secret police and informants. They don't worry much about the public acts of defiance. As John Lennon once said, they know how to deal with open violence. The ideal solution is to ensure no one discusses freedom in private, where most revolutions are born.

In the artistic sphere, that means compelling artists to self-censor. Orwell describes the result as, "If he is forced to do so, the only result is his creative faculties will dry up."

...freedom of thought...

The underlying issue is freedom of thought. To quote Orwell again, "Freedom of the intellect means the freedom to report what one has seen, heard, and felt, and not be obliged to fabricate imaginary facts and feelings." [Note: Modern writers understand that exceptions include political speeches, rock star biographies, cable news, health food claims, and legitimate attempts to ruin someone's life by spreading vicious gossip on the Internet]

Intellectual or artistic freedom is very much about nuance and context, which are products of an artist's perception or intent and the details most often attacked in a controversial work of art.

...Temple Of The Golden Pavilion...

One good example is Yukio Mishima's "Temple Of The Golden Pavilion," which was based on a true incident that shocked Japan in the 50s. It's not so much an example of free thought as the product of it.

The novel is about a young Monk who inexplicably sets a fire that destroys the famous Kinkaku-ji temple, aka The Golden Pavilion in Kyoto in 1950. On the surface it appears to be a senseless act and the young Monk gives no explanation at first. His motive eventually comes out in interviews with the police, and Mishima researched the reportage and even talked with the young man in prison before writing the book.

The book is considered one of Mishima's finest, and is well documented on the web, so those who want to know all the details can research it using their favorite search engine. 

What's remarkable is that Mishima wrote the book entirely from the point of view of the young Monk, a true dispassionate account. As I've said in the past, that can be a rare kind of book. Particularly in the Internet era, that kind of nuance can be construed as sympathy or even tacit approval of a behavior or point of view.

Also, Mishima was a person who would have been controversial right now; a militant right wing Nationalist who wasn't "politically reliable" due to his artistic side, and thus found himself at various times criticized and attacked by both sides of the political spectrum.

...the temple...

Mishima writes long descriptive passages about the temple in the book, which makes sense as it became the young Monk's obsession, but he mixes in thoughts, commentary about the war (WW2), various interactions, and what can seem like off the wall details that subtly add more depth to the narrative. It's an early example of that Japanese form called an "essay novel," which combines historical narrative with story details so that by the end, you've have the backstory but also a feel for the Monk's personality.

The young arsonist in real life was a schizophrenic, but Mishima doesn't use that label or include medical details about that mental illness. Explaining the technical details in the narrative is something a modern writer might do, but here it's all about what's going on inside the character's head.

That's a subtle distinction but an important one. The young accolyte obsesses on details that most would consider petty or strange, and the author follows those trains of thought and behavior, making no attempt to rationalize any of it or offer any explanation. It takes discipline and a willingness to trust the reader and to resist the temptation to explain or judge to avoid having people think that it's really the writer's thoughts or to showcase how thorough the research was.

...the nurse...

One central incident is the Monk's hatred for a young nurse he hardly knows, and the conviction that his will caused her later death. In actual fact, there was virtually no connection, but in his mind, there was an obsessively detailed narrative that's more chilling than any clinical description a psychiatrist or expert could give.

In other words, an author can explain that this or that obsession is dangerous or venal, or a movie can show the emotion or violence, but not the kind of insight one can get from seeing the actual thought process or inner dialogue.

Mishima understood one aspect of obsession, which was every detail has the same weight or effect. One very small encounter with the nurse turned into a significant incident that became part of the narrative of the imagined relationship. Later on, though he was only a distant observer of her death, it felt as personal as if he'd done the deed himself.

Mishima wrote this book in an era where there was less incentive to make it more marketable by sensationalizing the weird details, so the build up towards the final obsession that compelled an act of arson on a national treasure has a twisted and detailed logic. It was the culimation of a lifetime of perceived slights and injustices.

...reads like poetry...

Another aspect of Mishima's style was that many of the passages are poetic, at least in the Japanese sense of the word. There's lots of interesting imagery, described in a spare, zen-like style, and digressions that fans of Marcel Proust or James Joyce would be familiar with.

The Temple Of The Golden Pavilion by Yukio Mishima was one of the best psychological novels of it's time and is still highly regarded now. The passages that combine stream of consciousness, historical events, and action are worth reading by anyone who studies the art of writing.

Mishima was a man who blew hot and cold and his own life was a series of spectacular successes and failures, but he could put that all aside and put himself into the mind of another and tell that monk's story. Perhaps that was possible because he saw something of himself in the extremes of that young man's personality, but the compelling story that resulted showed that above all else, Mishima was an artist. 

That's probably why, as Orwell would have said, he was politically unreliable, but that's also why the art he created was so great.







...March update on The Quitters...

I'm well into the third month of "The Quitters" and while it's had it's ups and downs, it's been a great experience. I enjoy writing, so how could it not be? 

The Amazon bonus system on Vella was a pleasant surprise. I'd keep writing even the readership was nonexistent, but it's still nice that the book is generating income on top of the royalties.

The promo has evolved from pics to music videos/book trailers. I have a sizable amount of instrumental music on the Electric Fog Factory YouTube site so these videos combine my two main projects. It's quadrupled the traffic to the music site so it's working out well. 

Those who've seen the video have noticed that the music is eclectic and that the "theme song" that's played during the last part where the book info is shown sounds more New Wave or Alternative. Which is sort of true, but the cut, "Rug Becomes Sky" is very much in the mold of one of the legendary First Wave bands, Television. 



Music Video Book Trailers one and two for "The Quitters" by Al Handa, a Serial Novel on Kindle Vella. Both 1&2 now on YouTube! Features 60s rock, #EDM #Dub, rockabilly, psychedelic, acid jazz and #punk music from DJ Boogie Underground, Mark McGraw and Handa-McGraw International on YouTube. 



...punk in 1977...

Punk in 1977 was diverse, and hadn't narrowed into the hardcore image that many have of it today. In fact, it was so varied that even Tom Petty and The Heartbreakers were initially identified as a punk band. In other words, it was difficult to put a label on it, though the press focused on the Sex Pistols and the leather crowd.

But, it was all good. Some of my favorite bands of all time came out of that first wave, like Television (and the solo work of Tom Verlaine), XTC, Wire, Ramones, Sex Pistols, Clash, Buzzcocks, Chris Spedding, Siouxie, Eddie and the Hot Rods, Nick Lowe, Blondie, Patti Smith, and Talking Heads. Add in the ones I didn't name and you have a wide variety of styles and sounds.

...coming in April...

April will be a big month for the book, as the exposition phase is almost done, so I can move the various story arcs into meatier subjects like music industry corruption, payola, rock press, myth making and good old boy sexism. That's an important point as myth often becomes popular history.

The time period of this book encompasses the early days of feminism and the sexism females experienced in the music world (which was nothing new). The punk mythos was that more female bands and stars emerged than in rock, which was true, though nowhere near the number Top-40 produced.

Most of the opportunities for females in the music industry were in classical, popular or Top-40. It doesn't need to be argued that rock and roll was a boy's club. Just look at the existing documentation and music charts. The small number of exceptions only make it more obvious.

...women and opportunity...

Women did find more opportunity in the early punk movement, and if able to find their own sound and move past the hardcore punk genre, found great success in the more mainstream categories like New Wave, power pop, alternative, etc, particularly with the rise of MTV which helped them bypass the normal channels in the industry.

Feminism in the 70s was just past the "bra burning" stage and still finding it's way. Even liberal males resisted the movement though perhaps willing to pay lip service to the concept of equality. There were exceptions but none that showed that sexism didn't exist. My book won't be a definitive look at the movement, which is better documented elsewhere, but it was a factor so it's addressed in the book.

It was never my intent to write another fluff tale (like the Buddy Holly Story movie) so the episodes coming in April should make for interesting reading and on my end, enjoyable and rewarding to write.



Chapter Overview With Samples:

With eight chapters live, those who've read the book can see that the various plot and character arcs are starting to really develop. The first three chapters, which describes an audition gig in real time, has bits and pieces along with the action passages that begin to flesh out the personalities involved.

As you can tell from the chapter titles, this isn't going to be a mythological bad boy punk story where everyone wears ripped t-shirts. If for no other reason, SF Punk wasn't like the press photos and canned interviews. There was a definite intellectual or anti-intellectual atmosphere in the scene, and plenty of tongue-in-cheek talk. There's a definite strain of black humor (and slapstick) in the proceedings. You really had to have a sense of humor in that scene.

Also, how Nym's personality and musical skill develops is important later when the scene shifts to Southern California, with it's considerably larger and more diverse music scene.

Chapter 3 and 4 are a break from the fast paced action, and gives the reader a glimpse of Nym's world, of the motivations and aspirations, introduces a new character, and creates a more complex picture of Jesus Guy, who comes off a really weird dude in the earlier chapters.

The idea is to give the free chapters more substance, and insert a new one that I was going to write later, but decided needed to be earlier in the story. Most readers who visit Vella will get 200 free tokens, so the changes don't affect my chapter plan. That many tokens will get you through most of the book.

The new Chapter 3 will follow Nym after the gig. This will give the reader more insight into Nym's personality. This new chapter will be live around Feb. 17th or sooner if it's completed before then.

Chapters 5 and 6 pick up the pace, though each features more character development. Both Ross and Stew show flamboyant public personas which turn out to be more interesting and detailed in Chapter 8. 

Chapter 7 focuses on Marly, the promoter who's infamous for his tough comedy routine to clear the Club before closing. As you go deeper into the book, it'll become obvious that a large part of the Punk scene is part of his long range plan that mostly succeeds, but also has the seeds of future discord and division.

Chapter 8 is a personal favorite (along with 4 and 6), as it gives me a chance to put many of the characters in one place and able to talk casually. There's a hint of future controversy that'll create a lot of turmoil in the later chapters.

The chapter 9 excerpt is from an episode that isn't completed yet, but Nym's personality is fleshed out further, both in inner dialogue and as seen by a couple of other characters.

...Chapter Excerpts...

Chapter 4: Nym’s Cool World

"It's a crisp August evening in the sin section of Broadway Street. The summer crowds are gone, and the sound of cars and busses are replaced by the shrill, desperate pitches of strip joint barkers now fishing in depleted waters.

Night is the best time, there's less detail, and the world’s simpler. It's easier to be me, enjoying the feeling of knowing I’m coming back to play again.

I’m skipping the third band, and just workin' on my Punk 'tude outside the pinball parlor next door. I'm puffing on a French cig, which adds cool and helps me resist the rich smell of Phillipino food from the restaurant section of the club. My macaroni and cheese dinner with a coke chaser is starting to wear off."

Chapter 5: The Negatives: A Punk Action Movie In Real Life

"The crowd’s colliding like bumper cars, so Ross jumps and twists in the air, giving the tourists a picture of wild, chaotic energy. 

It's like a modern art painting in motion! The Negatives' show has something for everyone! 

I'll have to ask Ross how he manages to get so much of his tongue hanging out like that. Whenever I try, I start gagging.

The fourth song, "Planet Toe Jam" is slower, which cools down the slam dancing. They want the crowd to just stand there, which sets up what's coming next. Plus in a longer set, it helps to have a romantic number so people can slow dance if they want to."

Chapter 6: Herman Hesse's Glass Bead Game - The Punk Version

"I gotta say he looks the part of a great artist; a big burly skinhead type who named his band after a Hermann Hesse novel. He says names like "Steely Dan" from Burroughs' "Naked Lunch," are too New York for his taste. Besides, being named after a dildo is so 60s!

I took Ida to see his show last month, and after she calmed down and agreed to not press charges, described the act as "Butt Love horseplay masquerading as performance art. It's definitely not entertainment."

I told Stew what she said, and he had the comment added to the group's press kit and asked me to thank her for the great review!"

Chapter 7: Marly Tells A Punk Bedtime Story

"Marly cuts the horn, then freezes like a brave knight who's just slain a dragon, which seems odd until I realize that some tourists are taking pictures. 

I subtly turn so my left side faces the cameras and pout at the ceiling. I take the goolie out of my mouth and hold it with two fingers near my chin, so the smoke curls near my face. Keeping it in your mouth makes you look like a puppy chewing on a biscuit, not very punk."

Chapter 8: Celebration At The Pup Chuck Wagon 24 Hour Hot Dog Diner

"There's no better place for a rising star to bask in new found glory than Pup Chuck Wagon, the 24 hour hot dog diner, a haven for San Franciscans who have more coolness than cash. Cheap food and everything you sit or eat on is washable!

I can afford a mustard dog, small fries and coffee if I use my bus money. It's only a half hour walk home and this night of achievement calls for a feast!"

Chapter 9: Nym's Walk Home

"How did you know I spent my bus fare?"

Jesus guy sighs, "You passed a bus stop on Stockton without stopping, I'd have given you the fare but Phil came, so I just took the next bus."

"You assumed Phil would give me fare money?"

"I ordained it, it's what I do child, besides, I can't go giving you cash every time you go broke, my wallet would be so light it'd float me back into Heaven and I'd have to do the Resurrection all over again."





The Al & Ivy Homeless Literary Journal Archive:

There are earlier blog entries on the Delta Snake Review section of this site that aren't on the On The Road page:
http://deltasnake.blogspot.com





Cover Reveal For Hide In Plain Sight


This is the cover for the upcoming book, Hide In Plain Sight, hopefully out sometime in 2022.




The American Primitive Acoustic Collection by Handa-McGraw International can be streamed on all of the major services, including Spotify, Apple Music, Amazon, and dozens of others. Note: only available on YouTube until April 21st



The Music Of Handa-McGraw International can also be heard on the Electric Fog Factory on YouTube. You can hear the album, and dozens of unreleased cuts and demos, plus exclusive video of Ivy.























 

Saturday, May 8, 2021

On The Road With Al and Ivy: A Homeless Literary Chronicle - May 2021




"...I rode away, thinking, I confess, not so much of the kind mother left alone, and of the home behind me, as of to-morrow, and all the wonders it would bring."

- William Makepeace Thackeray ("Barry Lyndon," 1844)

"Coming of age" rites for young men and women have pretty much remained the same throughout history; men endure epic tests of strength and will, while women are trained in the sacred roles of motherhood, parenting and how avoid getting a case of the ass from dealing with men.

Some cynics have suggested that a woman's parenting training applies to both men and children, while others indignantly insist that following a man's orders requires no special skill. While accurate attribution for such insights isn't possible due to the degraded condition of the ancient source material concerning motherhood discovered in the Chicago 5th Street Salvation Army Store book section in 1989, the debate appears to be divided along male and female lines. [citation would help here]

Further investigation on the subject on web search engines yielded opinions too incendiary to reprint here, and all were under false names, thus making the data only suitable for Internet grade research. However, there is an admittedly tenuous historical link to Sumerian cuneiform tablets on the subject of astronomy, circa 1856, that claim men are from Saturn, and women are from Venus. [citation needed]

...grow up already...

Although maturity is a desirable quality in men (the historical record isn't clear as to when it became so, and women's opinions on the subject weren't documented until, maybe, last year), it's always been treated as an optional quality since women have to do the thinking anyway, and be the adult in situations that doesn't involve fisticuffs, watching football games, or farting exhibitions.

I should note that I'm oversimplifying for the sake of brevity, but the accuracy of my facts should fall within acceptable internet standards of truth. [citation probably won't help here]

...back to the point...

Getting back to male rites of passage...it is an important stage and what constitutes coming of age depends on what the society in question believes are the first steps to adulthood. In addition, how society defines maturity varies depending on the sex of the person, regional customs, and how long one can get away with extending the adolescent stage (which generally depends on income level).

I've given the subject of this mystical transition a great of thought since the moment it became obvious that a blog entry was needed for May, and several avenues of inquiry were considered. Hollywood was ruled out because there's already 12,345,668,890 films [citation needed again] about young men trying to trick women into having sex, and it's not clear if they actually attained maturity after doing so. Rock songs were never seriously considered, and that left books as the fount of transitional wisdom. The result will be revealed shortly.

The thing is, the modern age is complex, even if human emotions and frailties haven't changed very much. A rite of passage can now be more than a simple transition to adulthood, which in ancient times came as soon as possible as parents needed extra hands in the fields and the King needed cheap labor for tasks below the dignity of the royal person.

...life experience...

I personally tend to define such rites as a life experience that has a profound effect on a person's development or direction. It can mean the end of innocence, a realization about the true nature of something, but most of all, a moment or time where one finds their true self. 

It doesn't necessarily mean you live happily ever after. Joan of Arc chose a path that lead to persecution and a painful death. Many explorers faced privation and death in remote places, and many great artists achieved everything but material success. A simple, and possibly inadequate way to put it, was that all of them found what it was they had to do.

Jack Kerouac discovered what he was meant to do on a road trip with Neal Cassidy on a road trip across the United States, documented in his seminal book, "On the Road."



...2009...

In 2009, the unpublished 1951 version of Jack Kerouac's book, "On The Road" was released and gave many of the admirers of the 1957 version a chance to revisit the work and it's legacy.

Allen Ginsberg, the legendary Beat poet and close friend, felt that the 1957 version of the book had removed much of the "mad energy" and life of Kerouac's story. Which is true, the Original "Scroll" version, which was typed out on eight long sheets of drafting paper and taped together into a single scroll, differs in some important ways.

The 1957 version was toned down, particularly in sexual details like the sexuality of some of the characters and all of the people in the book were given fictitious names. Which given the straight laced atmosphere of the 50s era, wasn't surprising, and using the real names of living persons can make any book risky to publish.

The Original Scroll (like it's later published version) had an episodic approach to story telling, moving from one scene to another as it appeared in Kerouac's head, as opposed to events tied to a linear time frame. He spends time in the San Francisco Bay Area, for example, yet describes very little of what he saw. Days or weeks are often covered with a single sentence, yet many pages are devoted to conversations with a friend or friends, and if he's waiting for money to come via mail (or wages on payday), he'll just skip over to it's arrival and then the narrative becomes full again.

Also, how the story was told was just as important, if not more so, than the plot. The whole work was a grand experiment in form. A description of Lawrence Sternes', "The Life And Opinions Of Tristram Shandy," probably describes Kerouac's book best, that it was about how far you could depart from classic novel tradition and still call it a novel.

...the America dream...

The 1950s in the United States was a time of great prosperity and the fabled "American Dream." The darker side of that vision was conformity and sexual repression, at least from the point of view of the intelligentsia and artists. They did have a point; social injustices such as the McCarthy witch hunt for communists or Jim Crow laws weren't exceptions to the rule, but part of a general attitude that if you didn't fit in, you were out.

That was the America that Jack Kerouac knew, and began to rebel against. He had an interesting and often tumultuous life, too full of detail to easily summarize here (a good subject to for you all to google), but by the time Kerouac began writing the 1951 version of "On The Road," known as the Scroll, his friends and acquaintances already included future greats like Allen Ginsberg and William S. Burroughs. 

The author typed the scroll version out in three weeks, taking Benzedrine to keep on pace, and the feel and energy of the book reflects this. Having been around a lot of meth users during my homeless period, the rhythm and flow of conversation closely matched what I heard out there. It wasn't unusual for a guy on meth to riff out long streams of thoughts which would range from brilliant to banal.

...it was much more...

The book wasn't just a speed rap...the point of laying it all out, straight through without correctly placed periods, commas, and structured paragraphs (often simply separated by three periods) was to break free of the strictures of formal grammar and composition. It was a work with a fluctuating but continuous metre, or rhythm. One could say it was like a long improvisational jazz composition but with words instead of musical notes.

A musician would certainly understand this concept and his Jazz references illuminate that sensibility. It's words as music, not just in sound or rhythm but as an immediate, and direct connection to the creative source without the filter of an artistic process, style or specific form. Everything that flowed onto the scroll was left untouched, with both the good and bad notes, so to speak, bypassing any impulse to self edit or adhere to the rules of grammar (or create something that would sell).

...a view of America...

To understand the basic premise of On The Road, one has to see it for what it was; a statement of Kerouac's view of America. As he saw it, it was a "sad" place, full of conformity, repression and materialism. Whether that was true or not isn't important as far as this book is concerned. It's all about how he saw it, and his explorations were influenced by that outlook.

What makes the book's themes about freedom relevant in 2021 is that much of his rebellion was on a social level, rather than political. Most of the pressures to conform are on a personal level, with the pressure applied by family, peers or acquaintances seen every day. 

Kerouac's road trips weren't an act of rebellion per se, as journeys into the unknown have always been an integral part of the American character (or mythology). What was different was that the aim of the journey was discovery and not material gain.

The underlying morality in the United States in the 1950's (and still is in many ways) was that material success is the end game or validation of any endevour. Most artists, particularly musicians, have experienced that arc of initial approval from others that begins to curve downwards when the pot of gold doesn't arrive. The attitude is that youthful rebellion and dreams are OK, as long as you grow up and get a real job afterwards.

Kerouac didn't buy into that. He sought a more direct connection to life; not what it was supposed to be or what others said it was. His immersion into philosophy, jazz, wandering, and writing was about living for experience, that is to say, leading a spontaneous or "mad" life. There was no pot at the end of the rainbow, his sights were always on the present. Such a life would experience a lot of highs and lows, but without the conception that a life could be ruined by a single mistake or failure.

...all about honesty...

One of the virtues of the Original 1951 Scroll is that it's an honest book. Jack's descriptions of various friends were candid. He describes Neal Cassidy, the other major protagonist in the book, as a Nietzsche-like philosophical primitive who stole cars in his youth, and was a womanizer (in so many words). He has a dispassionate view of another who married a woman because she had money for a road trip and dumped her once it ran out. 

Needless to say, in this day and age, it'd be hard to imagine a woman who'd find such storylines a milestone in modern literature and intellectual freedom. The women in the book, from Kerouac's mother to the various girlfriends and wives, could seem to some readers that they're mainly there for sex, support, and money. However, Kerouac's depictions of females are generally quite warm, particularly with his mother and sister, but his view of women was pretty much like any other male in the 50s. 

The honesty I'm talking about goes further than the sex, drug or booze fueled philosophical explorations. He was willing to include a lot of non-heroic details, like when he had to write home to get cash from his mother (though he sends her money too at times), and a lot of his adventures depend on the generosity of strangers. He's not depicting himself as a self-reliant pioneer in the wilderness. 



...Orwell's kind of guy...

George Orwell talked about that type of honesty; the willingness to write something that makes one look weak or disreputable. It's easy to brag about being a drug user in an age where it's fashionable, but would modern writers (who want to look cool) casually depict themselves as freeloaders, petty thieves, or in the case of guys, ones who want to respect women but can't because they love their cheating and freedom too much? Even in modern films, anti-heroes tend to have flaws that accentuate their macho appeal, not diminish it. 

One can have an opinion of how his adventures read in 2021, and since the book is being sold at a premium price, his actions can and will be judged by today's standards (and subject to reader reviews on commercial book sites). But to his credit, he didn't write the book to create a myth.

...until the next episode...

In 2021, Kerouac's book could be seen as a male oriented literary milestone that's at the least a historically valuable look at the beginnings of the Beat Culture, like the movie Easy Rider was of the 60s Counter Culture. At its best, the writing is a pleasure for the serious reader and an inspiration for any writer who aspires to do great work.

The Original Scroll is definitely the version that should have been published. To be clear, it's an uneven work, and there are parts that'll leave a modern reader wondering what all the talk is about, but the best passages come off as fresh and inspired even in 2021,  where most of us have pretty much seen everything written under the sun.

Kerouac's best qualities as a writer, spontaneity and inventiveness, shine very brightly in the 1951 Original Scroll version of On The Road.

"They that know no evil can know no good; and, as the learned tell us, that a stone taken out of the head of a Toad is a good antidote against poison; so a competent knowledge of the Devil, and all his ways, may be the best help to make us defie the Devil and all his works."

- Daniel Defoe (The Political History Of The Devil - 1726)

...banning books, and related acts (part 2 of 3 parts)

I said (in the previous blog entry) that the act of banning a book doesn't always symbolize what it used to, in terms of it's actual effect, though the mentalities involved haven't changed much. Although it's common practice to make the issue all about freedom, the reasons can vary, and have become more complex due to the Internet and mass media.

The thing is, not much has changed in terms of human behavior. People have pretty much done the same things, and acted the same way, even if technology and advances in the sciences make us seem smarter than those who lived in ancient times.

The list of behaviors that haven't changed include; mobs, gangs, punishment of heresy or nonconformity, snobbery, racism, minute analysis of sports, exploitation, persecution, greed, and war. The list could include sexual behavior, but we'll leave that subject out of the discussion as 140,786,234 books have already been written on the subject (figure derived from anonymous internet sources).



...larger forces...

The banning, or burning of books is rarely about the work itself. There's larger forces in play, which can involve a wide variety of motives and agendas. It's often a form of political or even economic theatre, which can only incidentally involve a particular work. This in addition to commercial market forces that eventually condemn most new books to obscurity without any need for intervention. 

In fact, anti-book crusaders often have to act quickly before the merciless jaws of capitalism exile their target to the book section of dollar stores and bargain bins. No wonder many modern attacks are directed at publishers before the sales and distribution stage. That's also the best time to make a fuss if the intent is to increase sales (the book is without redeeming social value! Also available in audio!).

In ancient times, like with the Assyrians and other such early nations, things were simpler; after conquering a country, burning their library or archives was just part of the process of wiping out the conquered culture. One exception was the Sumerians, who had all their records and literature on clay tablets, which in many cases escaped the usual rapine and pillaging. Those earthy tomes were probably mistaken for piles of bricks or something.

...Information Age stuff...

As information technology progressed, and literacy became widespread, it goes without saying that books, in whatever form, began to express a wide range of ideas, creating more complex interactions like political, social, and religious disagreements, and as always, back then as with the present, porn addiction among men.

The primary power of a book is that it can communicate an idea to another person or persons. Just as old school Kings or nobles didn't want the peasants to have truly useful military training (because of the R word), the ability to communicate ideas to others has always been controlled as much as possible to keep the masses on point.

For an earlier example, after the First Council of Nicea, convened by the Roman Emperor Constantine (the first) in AD 325, when the first bible was compiled and sort of agreed upon, Arian of Alexandria, whose beliefs and documents were excluded from the Canon and labeled heretical, was exiled and all of his writings that could be found were burned (though Constantine later rescinded Arian's exile).

That was an early attempt to ban writings, though Arian's view of Christianity survives today through Jehovah's Witnesses, and some Unitarian sects. Also, Constantine the Second turned out to have Arian sympathies, so the attempt to wipe that particular denomination had the same effect that banning a book or writings has today. It often creates sympathy or at least curiousity about a work, rather than wiping it's presence or memory out.

...all of the possibilities...

Thanks to the epic advances of information technology, anyone can now enjoy debating the fine points of political theory with people they consider stupid or below them, get into drunken fights over football teams, enjoy the convenience of cyber bullying instead of having interact with real people to form a mob to burn a witch or future Saint, and of course, for men who are so inclined, to marvel at the bleeding edge advances in porn. That stuff has "ban it" written all over it.

That might be a one sided picture of mankind, and a more balanced view should read: "Humankind is unsurpassed in it's commitment to ensuring the happiness of all who share this unique space called Earth, which is why we're proud to partner with really wealthy guys to release PR statements that raise awareness about the poor people and cows who waste the oxygen that the ever shrinking number of trees produce, and affirm our commitment to sustainable energy so that all can continue to consume beef.

I do have to point out (yes again) that a certain amount of oversimplifying and generalization is necessary to keep the narrative short and the digressions long. To paraphrase Rousseau, I may be short of facts, but not of the truth.

...that darn Internet again...

The effort to ban books has become commonplace due to the Internet, which makes it possible to read a lot of ebooks for free or at low cost. That does increase the chance that some tome or another will be hated or vilified (Keep in mind, I'm not saying every book deserves to be read. That's a different issue).

The Internet though, is anarchic in nature, and resistant (though not immune) to "cancelling." Because of that, nothing's ever truly wiped out. In fact, a hundred years from now, if humans are still around, historians will see the net as a valuable look at the sheer variety of human thought and behavior that existed, but wasn't documented as it used to only matter what kings and wealthy men thought.

As they say, the Internet is forever, and book burners are kidding themselves if they think destroying or banning any book actually eliminates any idea, even ones that deserve to be, from the face of the earth. But 100 years from now, there'll still be those who'll try. Some things will never change.

Note: in part three, I'll talk about some famous book burner types. They're often more interesting and harmful than the ideas and books they tried to destroy.

- Al Handa




The Al & Ivy Homeless Literary Journal Archive:

There are earlier blog entries on the Delta Snake Review section of this site that aren't on the On The Road page:
http://deltasnake.blogspot.com





Cover Reveal For Hide In Plain Sight


This is the cover for the upcoming book, Hide In Plain Sight, hopefully out sometime in 2021.




The American Primitive Acoustic Collection by Handa-McGraw International can be streamed on all of the major services, including Spotify, Apple Music, Amazon, and dozens of others.



The Music Of Handa-McGraw International can also be heard on the Electric Fog Factory on YouTube. You can hear the album, and dozens of unreleased cuts and demos, plus exclusive video of Ivy.

Tuesday, June 9, 2020

On The Road With Al and Ivy: A Homeless Literary Chronicle - June 9th, 2020



"The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice."

-William Makepeace Thackeray (Vanity Fair)

"All that I shall repeat after her, must be true, without any intermixture of falsehood, but where I may happen, without intending it, to introduce my own conceits."

 - Jean-Jacques Rousseau (A Discourse Upon The Origin And The Foundation Of The Inequality Among Mankind, 1762)

I heard the term, "OK boomer" for the first time last year, when reading about an exchange between a young woman and an older male, both of whom were politicians. The latter had begun to interrupt her speech, and she replied with the phrase. I hadn't realized it had been around for a while, though it wasn't a surprise that it was.

There's always been "generation gaps," and it's obvious that there is one now. One sees labels like "snowflakes" directed at Millennials, forgetting that parents (who generally aren't boomers) really can't claim credit for the younger generations successes and escape blame for their failures.

It doesn't help that more than a few boomers want their childhoods to be recorded by historians as a Golden Age with music as great as Mozart and Beethoven, with deeds of courage and faith that helped to raise mankind's philosophical and political IQ to new heights, and made the phrase "Peace and Love, man" the rallying cry for a life free of materialism, war, and long prison sentences for pot smokers.

One out of three isn't bad...keep in mind, I'm oversimplifying for brevity, and know it's all a lot more complicated than my essay makes it.

...the media and the single image...

The media coverage of the so-called testy exchange implied that it exemplified the gap between Millennials and baby boomers, which is a type of generalization often used in the arts and media. The general idea is that an attitude or situation can be encapsulated in a single image, or "truth" that the audience can relate to (or the bias). That concept is sound when communicating a feeling or sense of what an situation is about, but can quickly degenerate into bigotry when used as a label or description of an entire group or subculture.

In the case of the Boomer/Millennial gap, it's probably no different than generation gaps throughout history, and they probably aren't fighting or being hostile to the extent that this or that media writer suggests. In this case we're talking generally about grandparents and grandchildren and that bond is historically more amiable than with parents.

 Most artists and reporters aren't consciously trying to create labels. The various forms of media work under limitations of time and space; the necessity to ensure a two hour movie or two minute news feature make perfect sense to an audience. That can require that the point be kept simple (or exploitive, but that's a different subject).

But like religion or politics, the temptation to insert one's conceits into the message can be overwhelming, and often end up saying more about the creator than the subject of the work (or to become banal in order not to offend advertisers).

The woman's retort could be more fairly described as an assertion that her statement needed to be respected as an adult opinion and not the ramblings of a young whippersnapper needing an older person's (generally male) approval. If I was her grandfather, I would have approved. Others boomers might think differently of course, but I'm sure more than a few who read about it felt a sense of pride that this young woman had shown some real gumption.



...playing devil's advocate...

However, if I, who is (as a matter of disclosure) a boomer, can play Devil's Advocate, and luckily my comments section is moderated; a more cynical view might be that any Millennial's supposed attitude problem is due to knowing that they'll be inheriting a world that still has plenty of wars (that they have to fight in as soldiers), where women and minorities are still trying to achieve equality, governments with more commercial sponsors than a NASCAR driver's jumpsuit, and in the US, a massive national debt that will probably make prosperity attainable only by a lucky few.

One could then say that "OK Boomer" is a pretty mild retort, and certainly more gentile than "tear down the walls motherf----r," "steal this book," "everybody must get stoned," or the immortal "hippie chicks are easy, just tell them it's uptight to say no." That last phrase might not be worded correctly. It could be "make love, not war" so both are included here in the interest of adhering to Internet levels of accuracy.

Millennials are heavily featured in my book. Not because they were all paragons, but because many of the characters are in that age group. They are a diverse lot; baristas and retail workers, gang members, runaways, drug couriers, groups that harassed the homeless, suburban kids slumming with homeless teens, druggies, and even illegal street racers that operated in the same late night hours as the meth heads and hookers.

Many in those aforementioned groups or subcultures showed a nobility that would shame a career politician, and also there were those who were broken or twisted by the sins of their elders, who exploited or abused them. 

...one set of differences...

One difference between the Millennials (in the book anyway) and the older age groups was that they did their acts of kindness to the homeless without calling attention to it or outing them. In one coffee house, for example, the night manager and crew gave up the perk of keeping the near expired food, and near closing time passed the packages around but made sure the homeless got extra.

It eventually became obvious when I came in to work on my laptop that two or three packages (always a meal and a desert) would be given to me. It was never explicitly said that it was because I was homeless; it was just described as a treat for customers. Many of the clerks would remark that I was such a good regular that they would give me a free coffee that evening, and again, it was done so casually that I didn't realize it was to help me.

I later found out that many in the night crew were volunteer homeless activists who could quickly spot people like me. Their discretion protected those homeless who could pass for a regular, as the other customers were often quick to complain to the day manager about those who looked obviously homeless.

...two worlds brought together...

In a sense, they brought me into their world, protected my dignity, and made sure my lifeline to wifi and electricity was secure. More importantly, being able to sit among the other customers without harassment kept a sense normalcy in my life.

That's why the portrayal of the young is sympathetic, with admiration for the decency in so many, and sadness about the fall of others. The good in those coffeehouse workers was potentially in every one of them, so the loss of those who fell short or went bad seemed all the more more tragic.

When I learned that Millennials dismiss the crabbing of older generations (it's not just boomers who call them snowflakes in unmoderated comment sections) with a phrase like OK Boomer, it struck me that they had probably had begun to find an identity, like the hippies did in the face of ridicule by many even in their own age group, and that's not a bad thing. If they respond with Molotov cocktails and bombs, then we should worry.

The twenty-somethings will certainly make mistakes and learn, but most will be worthy of our trust. Believe me, retired boomers in an increasingly troubled world will need them to be, and luckily, most Millennials love their families and will rise to the task.

"One of these days, when you hear a voice say: 'come,' where you gonna run to? You're gonna run to the rock for rescue, but there'll be no rock."

- From the reggae song "Johnny Too Bad" (written by Trevor "Batman" Wilson, Winston Bailey, Roy Beckford, and Derrick Crooks, aka The Slickers) Note: authorship of song differs in other sources.

Power worship blurs political judgement because it leads, almost unavoidably, to the belief that present trends will continue. Whoever is winning will always seem to be invincible."

- George Orwell 

(Continuing on about power from earlier blog entries)

Any undercurrent of force and power has to be "respected." That's not the same as agreeing with it, but realizing that notions of what power is exist and are a reality if people believe it. Most romantic ideas about street life are really exercises in power worship, an old concept that Orwell discussed now and then in his essays.

Orwell never actually defined "power worship" in his various essays. The  clearest description was "a fascination" or "fascinated admiration" as described in his essay, "Second Thoughts On James Burnham." Burnham was a writer who felt that power is a primary motivation or drive. Orwell felt that it was really only a "belief," saying that "power hunger, although only dominant in comparatively few people, is a natural instinct that does not have to be explained, like the desire for food."

Orwell's observation is that such statements are more likely to be a clue to the writer's belief or motivation. In the case of Burnham, Orwell felt that the theory about how power is a primary motivation was described in such a way that it indicated a unspoken fascination and even admiration for those who successfully use force to further their aims.

...looking about...

In one early scene in my book, I'm sitting in my car, observing a new area and a picture unfolds about what the social structure is. In spite of having read Orwell in the past, I still made the mistake of seeing my surroundings in terms of power; that is to say, a macho food chain like in the movies. Yet my perception was at least a little correct because it was a reality that many of the participants ascribed to.

The real laws of nature assert themselves over the course of the book and as the various apex archetypes were revealed to be actually prey, I had to make course corrections in my survival strategy, rejecting the quasi-religious notion that "the streets" are a omnipotent power that crushes the weak and sinful.

In other words, I could see that being a tough guy or entering into their world would get me into trouble, and being "street smart" was really a matter of not playing the game, or staying off that grid, so to speak.

...the streets, and the prepper life...

Hollywood movies and TV shows like to show "the streets" as an hierarchy ruled by alpha types such as gangsters, dealers and pimps, with the exception of macho heroes who kick butt, and all other life forms in descending order with women at the bottom (though one could be redeemed by finding the right man).

What I found, after becoming homeless, was that a large part of street life does look like that on the surface. That hierarchy ruled by alpha predators does exist but that social order depends on the participants agreeing it does, either consciously or unconsciously. 

I saw that street myths have a different reality, that the power of such images is fueled by agreement (albeit with coercion too). I think that drug users, for example, have to accept that a pusher is closer to the top of the food chain out of need. The drug scenes are an environment that can imprison you, yet the key to the locked door is in your pocket. That escape, quitting drugs, can be a tough nut to crack, but it's there.

A good analogy that explains how to stay out of trouble (in most cases) on the streets is that you do have to step into that room to be affected. If you stay out, very little happens. That was often easier said than done, but it was a principle that could help keep a person out of trouble, or at least minimized it.

Which incidently, is at the core of Prepping or survivalism.



...off the grid...

The term "prepper" has come more into view in the media due to the Covid crisis, and the food and supply shortages caused by the resultant panic buying.

The stereotypical view that Preppers are all paranoid doomsday hoarders hiding out in the boonies is, of course, a media creation. Kind of like making the homeless seem like a bunch of meth heads who poop on sidewalks. It's  a sort of clip art image for lazy reporters and writers to plug into stories on tight deadlines, and doesn't offend advertisers and gentrifiers.

The truth is, or at least in my sympathetic opinion, that prepping is actually a wide, sprawling scene made up of diverse individuals and subcultures that only have being prepared for the worst as a common thread. It can range from normal people who know that poop happens and stock up, to those convinced that society is going to break down into a morass of anarchy, strife, and famine.

The irony of extreme survivalism is that it can only be practiced in a stable society that leaves them alone with their massive stocks of food and supplies, because in reality, such a hoard would be a prime target for well armed gangs and individual predators. Those who create private farms to escape anarchy and live off the land would quickly become serfs allowed to keep only a small portion of the crop, assuming that they're allowed to live.

That's not conjecture. Just take a look around the world at those societies that have broken down and it's obvious that there aren't many survivalists sitting around with personal supply dumps. 

...the grid...

That doesn't mean the concept of "living off the grid" isn't without merit. In fact, the idea of increased self reliance that most Preppers ascribe to is a sound one. As we've seen, much of the panic buying that has occurred lately (particularly in the US, where else...) is essentially a knee jerk reaction to the fear of supply shortages that Preppers faced and mastered a long time ago. 

Also, the idea of living off the grid doesn't literally mean isolating oneself from society. It's really a flexible principle that can encompass avoiding manipulation by various types of groupthink or propaganda, nonconformity, emotional independence and common sense.

In the previous essay about street life, the idea of avoiding entanglements in drug scenes and trouble spots is a clear example of spotting a system or mentality, a grid of sorts, and avoiding it. That's not an obvious point, as homeless camps and drug scenes have elements that can appeal to those who are addicted, feel overwhelmed and lost out 

It's a discipline or outlook that stresses preparation, and is definitely an acknowledgement that Murphy's Law is a real thing. However, like with any system of thought, it's subject to misinterpretation, corruption, and in well off cultures, commercialization and consumerism.

For example, it has to said that the United States has done to mainstream prepping what it does to pretty much anything it touches; make it a boutique industry that sells a lot of overpriced items like four dollar packs of ice cream flavored deserts and expensive accessories like bad ass survival knives that only do one tenth of what a cheaper Swiss Army Knife does. In other words, for more than a few, it's become a cult lifestyle complete with accessories and toys to fit any doomsday fantasy.

But you can't eat a survival knife. I know, because I was silly enough to buy one and later ended up selling it off for gas and food. I will admit though, it was a pretty cool blade that made me feel like I could take on a forbidding wilderness and make a fire in any environment. The problem was, any open fire in an urban environment will draw complaints and cops like flies and so my blade never reached it's potential.

...about Preppers...

In my Swiss Army knife of a book, yes, I do talk about Preppers. The book is essentially two parts or cycles, and the first ends with a stay in the Sierra Foothills where Ivy and I were given the opportunity to live in a trailer home for six weeks.

The primary theme of that chapter is actually PTSD, but in that remote area there were several people who were living off the grid and were a truer picture of what prepping is all about. They didn't make any pretense about being prepared for the end of the world. Nobody who's serious about the apocalypse is going to live in an RV or trailer home with thin walls that could barely stop a BB and live close to main highways.

The various homesteads lacked the style that Internet road warrior bloggers show off on social media, but to a discerning eye, it was obvious that many properties were laid out well, allowing for possible flooding and access during snow season. Sheds and other storage areas where in good repair, orderly garden patches were common, and satellite dishes were used to stay connected to, you guessed it, the grid.

I was sympathetic to this lifestyle as the same principles of common sense applied to living in a car. By the time we arrived in this area, what was kept in the car had changed a great deal. Gone were the various toys and trappings of my old life, and my trunk now contained a supply of as much spare food and water as possible, and gadgets that were actually useful.

It wasn't fancy. A lot of the survival cupboard was food most people would turn their nose up at, or think was inedible. There were bricks of granola bar rations each good for two weeks of meals, spam, canned beans,fruit and vegetables, dry dog food (which Ivy hated but would eat if hungry enough) and water. Very plain, but affordable in large quantities, and in the case of the fruit, each was also a backup source of drinking water.

...no matter how bad...

That supply had one very important purpose; I knew that no matter how bad things got, we had food. I saw people make a lot of bad decisions because of hunger or anxiety over it, and knowing there was a one month emergency supply of food in the trunk was a very real comfort. I kept it well packed and out of reach to ensure it was never used casually.

I knew one other thing that many people don't know; that when you're hungry enough, all that emergency food was going to taste just fine. Even more important, quantity trumps five dollar single servings of dehydrated beef stew. When food is scarce, that's ten cans of beans versus one pack of boutique food. That's a few days versus one meal.

There was another reason why I respected those Preppers. It goes back to being a Boy Scout in the 60s, when it wasn't a particularly upscale activity. We went on inexpensive campouts and pretty much stuck to basic outdoor activities and woodcraft. I remember practicing map reading and trail signs, where we were blindfolded and taken to a random place and then had to find our way back to camp using only a map and compass. It's main value was not so much how to read a map, but to know how to stay calm, and use common sense. 

The core of clear headed thinking is preparation.

That philosophy came in handy when I drove up into the Sierra Foothills to find that trailer home. The phone cut out, and with it the GPS and the map, and I became totally lost. But I did know the approximate compass bearing of the property because of seeing the google map image and because of instinct or whatever, I remembered the site being on a direct line northeast of the entrance to the foothills. That was because of my habit of closely studying any map being used for directions (due to not always being able to afford GPS).

...follow the arrow...

I happened to have a compass, not because I expected to need it but because one of my private identities out there was "Boy Scout" or "always prepared" (or at least try to be) and it was a token of that. I pulled over and got out of the car and looked down the compass needle to the north east and spotted a large bare cliff well off into the distance.

To make a long story short; I took any road or turn that headed towards that cliff, or at points where the forest blocked my view, where the compass indicated NE. I knew that in this sort of country, that there'd still be wrong turns, but as long as it was in the general direction of that cliff, I'd get there.

Eventually I saw a sign that said the town near that trailer home site was only a few miles miles away, and could go off the compass. When I later looked at a map, I could see that I'd only made a couple of wrong turns over 30 miles and that some of the other turns that looked more inviting would have put me on the wrong side of the mountains.

As it turns out, that big cliff side overlooked the valley that the trailer home was in.

It wasn't just the compass, it was the training that went with it, and to stay calm and observant. Needless to say, Boy Scout training notwithstanding, once I got into town, I stopped at the gas station and asked for directions. While I was at it, I bought a good road map of California and put that in the glove compartment so that situation wouldn't happen again (prepping is also a empiric process).

People do have a tendency to judge things by a single impression or superficials, and a lot of Preppers have been lumped into this or that unflattering image. At its best, it's really an attitude and a philosophy about preparedness and common sense and I'm sure there wasn't a single real prepper in those supermarket crowds loading up on toilet paper. 

They'd already had that covered.



"It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” "But the Solar System!” I protested. "What the deuce is it to me?” he interrupted impatiently: “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.”

- Arthur Conan Doyle (A Study In Scarlett, Sherlock Holmes)

I was in an antique mall the other day, and asked the guy at the counter if I could look at this tray of items kept under the glass counter. I wanted to examine what looked like a vintage Boy Scout pen knife. It wasn't one, but decided to sift through the pile to see if anything interesting came up.

At the bottom of the pile was a small replica of a railroad spike with a train on it that appeared to be made of lead or pewter, and while examining it the shop clerk remarked, "It's obviously a railroad spike with a train on it, but I'm not sure what it was used for other than a paper weight."

I looked closer, and then answered, "that could be, but whoever owned it used it as a pipe tamp." The guy looked puzzled, and I added, "the top of the spike is ideal for tamping down pipe tobacco, the owner was an experienced smoker, as he obviously tamped after the pipe was lit. Look, you can see the traces of ash on the head."

He seemed amazed at my deduction, and it reminded me of an old Sherlock Holmes story where he found a small object hidden in the grass outside a yard. Watson and the client were amazed that he found it, and Holmes replied that it was an easy search because he was actually looking for it. The immortal detective knew that the situation would leave certain objects as evidence. The appearance of deductive reasoning was actually a case of training that paid off.

...deduction and myth...

Although the popular appeal of Sherlock Holmes was in his use of "deduction," seen as a mythical ability comparable to divination, the author, Arthur Conan Doyle makes it pretty clear that much of it was due to having an extensive base of specialized knowledge. In other words, Scotland Yard made assumptions, Holmes worked with an extensive database of forensic data stored in his brain and acute observation skills.

In another passage, Watson is puzzled when told that his future roommate did eccentric things like beating a corpse to see if bruising and wounds looked different after death. Decades of detective and true crime shows have made such an experiment seem less shocking than it was during the Victorian Age in Britain, which is when the Holmes stories ran in the Strand Magazine. 

The surfeit of data in the modern age hasn't lessened the appeal of the prickly, self assured detective whose methods were an important precursor to modern forensic science, and with his flaws and humanity, an important archetype of the modern mystery novel hero. In fact, there's always been a steady stream of TV and movie adaptations of Doyle's most popular character.

As far as analyzing that appeal, it's a well documented subject with a large body of data on the Internet and in the various medias, and no shortage of fans and hobbyists who can explain it. A Google search will turn up enough to give the seeker many happy hours of exploration, and from that one can develop their view of Holmes.

To be honest, I rarely watch those modern TV and movie adaptations, though I did enjoy the old PBS series that starred Jeremy Brett, who was a very true to the book Holmes. Even then, I stopped watching and never finished the series.

...living in the books...

The main reason is, in my case, that for me, the great detective lived in the books, and even then, that was an imperfect vehicle as the stories originally ran as a series of episodes in the Strand Magazine, starting with "A Scandal In Bohemia," in the July issue of 1891. The only Holmes editions I read are the ones that reproduce the Strand layouts.

When I say that he lived in the books, I mean that the Holmes that's part of my psyche was the sleuth that the author Doyle created with the written word, in a style that no visual art can duplicate. Also, as it was a serialized work, one can see that over time, Doyle slowly evolved the character and clearly decided to focus on the personalities rather than the plots (which were admittedly formulaic).

One great example is in the story, A Study In Scarlett, where Holmes confesses that he didn't know anything about the solar system. Watson is flabbergasted but finds that his friend could care less as there were more important things to know in his line of work. That's actually a trait that most geniuses share, a drive to excel in a subject or ability that can preclude wasting time on other irrelevant subjects.

Making the stories about characters was a stoke of genius, a technique that is now the bedrock of almost every TV series. There was a practical reason; the fact is over time, there's going to be a weak episode every so often and certainly there are relative flubs in the Strand stories but all are redeemed by the joy of another visit by that difficult genius of a detective and his faithful side kick.

Another element with universal appeal is the conflict between Scotland Yard Inspector Lestrade, and his presumptive and rigidly grounded outlook, and Sherlock's freer and more in the moment observations. We've all had to deal with those who try to fit situations (and other people) into rigid little boxes and attitudes. It's easy to identify with the hero.

...visiting an old friend...

Serious readers often compare the experience of reading a book to visiting another world or seeing an old friend again. Part of the appeal of the Holmes stories is that it is a process of discovery for the readers, who felt that with each installment, they came to know the characters better.

Holmes didn't enter the literary world fully formed; the Strand readers didn't know, for example, that he had a brother until well into the series, and as a rule, as Watson got to know his roommate, so did the readers. That's an element no single movie can easily capture. Even the PBS series, as great as it was, had to omit a lot of detail to fit into one hour episodes.

I was able to read the stories in approximate order of publication in the 70s when it was easier to get complete editions that reproduced the Strand versions, which were read late at night over a good cigar or pipe. It was a pleasurable experience on many levels. Of course a good cigar only cost a dollar back in the 70s, so that experience ain't going to happen now.

Sherlock Holmes is developed as a character in such a way that it can't be easily described, but to this day, I admire the stories so much that it's unthinkable to turn that love into fandom, and take in every book on the subject and watch every movie and show. The Strand version of the stories are how I enjoy it (but certainly wouldn't say that it's the only way).

A good way to describe my feelings is how I treat memories of Disneyland. I last saw it in the early 60s as a small child, and never went back. I've been asked why not, and have been told that it's now a wondrous place with rides and shows featuring incredible technology. From what I've read, I would have to agree.

However, I got to see it as a small child, and still remember how wonderful it all seemed at an age when being in the Nautilus submarine wasn't just a cool ride, but a chance to feel like I was actually in the world that the 20,000 Leagues Under The Sea movie had created. That's a feeling one can have in childhood, where the imagination and real world still exist in close proximity and there's a real sense of wonder (as opposed to it all being freaking awesome).

In other words, that was a magical moment and that's how I prefer to keep it in my mind. Sherlock Holmes lives in those stories that Arthur Conan Doyle wrote, and that's the Holmes I know and love, so that's where I go to visit my old friend.


- Al Handa




The Al & Ivy Homeless Literary Journal Archive:

There are earlier blog entries on the Delta Snake Review section of this site that aren't on the On The Road page:
http://deltasnake.blogspot.com


Cover Reveal For Hide In Plain Sight


This is the cover for the upcoming book, Hide In Plain Sight, hopefully out sometime in 2020.




The American Primitive Acoustic Collection by Handa-McGraw International can be streamed on all of the major services, including Spotify, Apple Music, Amazon, and dozens of others.



The Music Of Handa-McGraw International can also be heard on the Electric Fog Factory on YouTube. You can hear the album, and dozens of unreleased cuts and demos, plus exclusive video of Ivy.