Wednesday, August 10, 2022

On The Road With Al And Ivy: A Literary Homeless Chronicle - August 2022



I know there are readers in the world, as well as many other good people in it, who are no readers at all,—who find themselves ill at ease, unless they are let into the whole secret from first to last, of every thing which concerns you.

- Laurence Sterne (The Life And Opinions Of Tristram Shandy 1759)

PART 2: The Mystical Bond Between Women And Cats

The mystical bond between women and the feline race was shrouded in mystery until 10432 B.C. when universal literacy via comic books and graphic porn novels made it possible for menkind to collectively ascertain why women were suddenly less willing to worship males as Gods.

A few far-sighted males postulated it was because they cheated, used the same socks all week, ate smoked sardines without brushing afterward, fell asleep immediately after sexual congress, engaged in farting contests, picked their toes, gambled family funds, killed each other for sundry reasons, and only hugged each other, but those heretics were quickly relegated to slave duty on galleys for trying to make it seem like it was a guy's fault.

The late Professor Ivy of Shitzu U made the first important discovery of this mystery of mysteries in 1897 A.D. while sniffing an ancient tree reputed to have sprouted from an acorn in the Celtic Age of White Witches and where successive generations of canine scholars had left more pieces of the puzzle in the hopes that those of a more enlightened age would aggregate the data and understand both the spiritual bond and what stuck up jerks cats are.

This set Ivy on a journey that spanned several continents (in doggie parlance, that meant several different trees and fire hydrants) and an astonishing pattern began to emerge. It became evident that women delineated this meowing relationship in veiled terms, similar to how men explain what they were doing that evening to their wives after coming home at four in the morning.

The breakthrough came in 2,567,90 A.D. when the Internet made it possible to access every book written by women published by male editors and publishers, which conveniently fit into a searchable two-volume set.

Professor Ivy made the stunning discovery that in 123,456,678 A.D., a poet named Jezebel McManus (immortalized in her autobiography "I, Ivy" due out in Sept. 2022) published a poem called "Men Are Horn-dogs," which was an intricate key that unlocked hidden messages in women's literature throughout the ages.

The furry scholar found that the line "Is aoir a tha so agus r'a leughadh a mhàin air son dibhearsain" is a cipher key that if applied to Emily Brontes' Little Women, the actual title is "Little Kitties." [Citation needed, when it was noted by theological scholar Hiram Glyphic, aka "Jesus Guy," that the actual author was Louisa May Alcott, said blog writer referred all questions to the A.I. blog generating bot who calls herself Mimee and was, he claims, the actual author of the particular passage]

Indeedy indeed, after this breakthrough, there poured forth a flood of revision and literary phraseology more awkward than found in this blog; such as the story of the Viking Goddess Freya, who was said to have driven a chariot pulled by fearsome lions but in reality, never let her precious kitties do such backbreaking labor and used studly males to pull her negative carbon-emitting vehicle. [Citation needed, actual carbon figures omit the methane from the farting contests that the male servants would engage in]

The symbology key hidden within Jezebel's work shows that the ancient stereotype of a housewife hitting her husband in the head with a frying pan is actually a bowdlerization of the suppressed epic stories of statuesque Amazons who carved up the ranks of woosy Greek Hoplites like a Ginsu knife through tofu, and Princess Paris (described by Greek social media star Homer as a prince) did, in fact, choose a super cute Siamese furbaby over the Gods Mars and Apollo in the famed beauty contest which resulted in the Trojan War. [Citation needed, Blogger admits that Mimee has oversimplified the revised myths into a convoluted run-on sentence but admits entering "must be tweet or Tik Tok length" as a programming variable for all return value output. He hopes the explanation will bring clarity to the readers of this blog]

I'll take a moment here to note that these accounts may seem to be slanted towards a sacred feminine view but think of it as a valuable exercise in what history might look like if women wrote it instead of men. 

Luckily, thanks to the democratization of historical scholarship on the Internet, all are invited to add their two cents to the imposing mass of data that'll confuse and dismay historians centuries from now.

Now, we continue with regular programming...

Professor Ivy found that in Jezebel's cipher key, every third letter in the second paragraph of her poem created words that appeared to be gibberish, but by taking the second letter in each subsequent paragraph and repeating the process a million times as specified by the Infinite Monkey Theorem (first alluded to by Aristotle) a cogent sentence emerges, which translated to English, reads "Women and kitties smell better than men."

Although menkind could understand straightforward concepts like going to war for oil and betting on professional sports, the sublime aesthetics of a woman's love for tabbies defied comprehension by pragmatic warriors used to a more butch approach to relationships, who then decided such perversions must be unnatural and evil.

This led to the creation of vituperous mythologies such as the alleged partnership of witches and black cats, felines being even fussier than men about prepared food, and the defamatory assertion that the pointy-eared tribe are a bunch of snobs.

These sexist misconceptions will be shattered in part 3 of the series of "Women and Cats" in the September blog entry.



A few weeks ago, I made an exception to my usual practice of avoiding the purchase of new titles in a used book store. 

The book is one of the four volumes of Orwell's essays and letters edited by Sonia Orwell and Ian Angus, which originally came out in the 70s. [Citation needed, Blogger has stated a publication date without bothering to check first, but when confronted with that fact, he replied that for Boomers like him, senility is the new 60, and dates are whatever, man…]

I bought the four-volume set back then, as it was the only way to get a comprehensive collection of his nonfiction writing at the time. That may be hard to believe now, as there are a lot of compilations available these days, but this set was a revelation to many who only knew him as the author of Animal Farm and 1984.

This paperback costs more than the original set, and as a rule, I wait until a used copy comes along. However, the chance of any of the four volumes becoming available as used copies is probably nil. There are plenty of inexpensive compilations that collect most of his important essays and book reviews (all of which I've purchased of course), and even though letters and previously unpublished works comprise much of the new material, most people probably don't see much point in reading that kind of stuff.

That's true for me, too, to be honest, but I did remember reading all four volumes several times and figured that the three used books I was interested in weren't as good a purchase as this.

Orwell's letters were written during an era when good correspondence and conversation were esteemed (going back to ancient times). In fact, with one prominent literary figure, Samuel Johnson, a great deal of his fame rests with a biography written by James Boswell, who recorded many of the remarkable conversations by this much sought after dinner guest, and attained literary fame for doing so.

There was a time when being able to say that one was engaged in an exchange of letters with a figure like Voltaire was a must in educated (or richer) circles, and even in modern times, people like Orwell put a great deal of thought and time into it. You can see in this book that he wasn't just a "Socialist writer" and that his literary sensibilities encompassed a wide range of genres from trash, poetry, and highbrow.

Many might be surprised to know that he was passionate about poetry and a scholar and expert on the subject.




Orwell derived a good part of his living from writing reviews, and even if the book appeared to be on a fast track to a bargain bin, he was professional enough to realize that the reader wants to know that the reviewer actually read the book, and has real thoughts and insight on it. So in Orwell's best work, a reader could get a clear idea as to what the book was about, with context. His best reviews read like a great coffee house chat, if you know what I mean.

That's not an easy thing to teach or quantify, and it can require a writer to go out on a limb and risk being wrong. His reviews of Jack London's books (in later volumes of this set) nail the atavistic undercurrent, while others, like his essay on Dickens are more like exploration or a literary meditation that doesn't quite get there, but shows a desire to understand the appeal of that great author.

The current Orwell compilations are an excellent introduction and, for most readers, probably all they'll need. However, the focus on the more celebrated essays and reviews can create an impression that only his critique of major writers were important or of interest to the average reader. 

It's understandably easier to sell an Orwell essay collection if he's talking about Dickens or Tolstoy, than "Searchlight On Spain" by the Duchess Of Atholl. Still, he wasn't a hack and approached every review with sincerity even if the book wasn't ultimately interesting.

Orwell kept in touch with other writers and friends and often got into involved discussions about books and issues. In one letter to Brenda Salkeld he talks about James Joyce's "Ulysses" with a more casual and personal view than in his formal reviews. It's an interesting train of thought written during a time when the book was more current, and people were still making up their minds about it.




Another example is his 1935 review of Henry Miller's Tropic Of Cancer, which had been published the year before and wasn't easy to find. It was written before the controversies and banning, and to Orwell, it was a work by an up-and-coming author. 

He felt that the book was remarkable and that people should try to get a copy and read it, but his view of the characters was less adoring than more recent writings by others.

His description of Miller and his friends was "the out-at-elbow, good for nothing type," most of whom were freeloading regulars at the local brothel. Which, as he saw it, was the whole point, that it was about a seamier, more "common" view of life that didn't generally make it into novels (at the time).

The final words of the review are, "I do not imagine that in Tropic Of Cancer, I have discovered the great novel of the century, but I do think it is a remarkable book and I strongly advise anyone who can get hold of a copy to have a look at it."

In 2022, perhaps a good many admirers of the book would say that Orwell was wrong or didn't see the genius but frankly, his review caught the essence of the work better than many of the recent opinions I've read. 

The appraisal of a classic can accumulate a lot of mythology and consensus that can, on the one hand, give it new relevance but skew the perception of a book and even the message.

Which is all just good old fashioned fun in the art world, even if the revisionism is amplified by posers who want to give others the impression that they've actually read the book in question or impress a date (though sensible single women get wary if the man claims to read books).

For many readers, Volume 3 and 4 would be more enjoyable. Those show a writer at the peak of his powers and the letters exude the confidence of someone who's been published and widely read within his circle (though his success with fiction was mixed).

Calling this a book for aficionados might not be exactly the term I'm looking for, but if you've read his essays then this volume will be a revelation as it shows an intimate glimpse of the person who wrote what are now very influential books and essays.

I'll go ahead and reread this one. With a writer this good, there'll be something I missed the last time through.





The other day I came across an old Facebook post that was supposed to be a clever life hack that turned a bra into a "gas mask." 

One problem is, unless the woman carries the bra in her purse (which would make it almost impossible to find), it would have to removed on the spot, which isn't practical to do in public for reasons that don't need to be explained.

However, as a public service to those who don't get enough lecturing and know-it-all blurbs on social media and cable news, and desire an explanation, here are insights reprinted from the unpublished book by the late Professor Ivy Of Shitzu U, "How To Prepare For The End Of Civilization."

As far as homemade gas masks, the good Professor states:

"For protection against modern gas or biological weapons, any mask without eye protection is useless. Chemical agents like nerve gas also attack through exposed skin, like when you take the bra off to make the mask. Plus, many men will die due to staring at a woman's exposed mammaries instead of taking emergency measures, and society will usually blame her.

If you really must try to survive a gas attack, then one stupid life hack is to put your head into a plastic bag (clear one if possible) like your parents told you not to do, and that'll give you about three minutes to exit the area before suffocating to death (subtract one minute if you haven't taken your anxiety meds)."

Professor Ivy adds, "If you haven't popped all the air pillow wrap from your Amazon packages, then your life can be extended by a few more seconds by cutting a hole in an intact pillow and sticking your nose in it. More than enough time to post your demise on Tik Tok and Twitter."

Stunning truths, to be sure!

The noted canine scholar also added some historical background to explain why people would even conceive of a gas mask made from a bra, excluding the possibility that the idea came from a male, who would, of course, never advise using a jock strap for the same purpose.

Ivy's book relates:

"The modern origins of covering nose and mouth with cloth stem from the first Battle Of Ypres in World War One. The Germans achieved complete surprise with the first use of chlorine gas which devastated the Allied front line trench.

Two groups of soldiers survived the attack; the ones who high-tailed their butts out of there and those who improvised gas masks by using a cloth soaked in wee wee."

Trench warfare was, in reality, a siege where both sides needed food and water brought up by support troops. Needless to say, both sides knew this and would regularly bombard all likely routes taken by logistical personnel trying to deliver supplies to the front.

The use of urine wasn't due to any known scientific principle at the time. It was common sense that a wet cloth does a better job of filtering, and urine might have been an improvisation by those who had empty canteens due to the prolonged preliminary shelling cutting off supply.

The learned Professor continues in chapter 3, "What was learned in this attack was, although a soldier's best chance of survival was to take off like a scared bunny, military necessity required any personnel below the rank of General to stay in the trenches to meet the attack that was sure to follow any deployment of gas."

The Shitzu Sage added, "Even leaders at the staff level realized that it would be impossible to get normal human beings to sit still in a gas attack without protection. Thus the constant development and improvement of gas masks continues to this day.

It would seem that the United States would have the technological muscle to make sure every citizen has a gas mask in every pot (chicken is too expensive now) or at least as many as subcontractors in China and India can manufacture in sweatshops to meet demand." 

The furry scholar's view may seem cynical, but Mimee, the new A.I. Blog Generator, adds an observation that emphasizes the positive,

"The Government will half-ass it until people start dying, but the sleeping giant will awaken and handle it as effectively as they would a pandemic or autocorrect software."

Reassuring words indeed!

However, a more jaundiced view was expressed by noted think-tank writer, Nymie "The Kitty" Katt, who noted in 2345,99,000 A.D. that "Most victims in, say, a V.X. Gas attack, would have one to ten minutes to live depending on the length of exposure and how much processed food was eaten."

The shaggy-eared Academic doesn't deny that penetrating observation but adds:

"Most V.X. Gas attacks would originate from a NATO country, most of whom wouldn't attack the U.S. Such an action would be unlikely as the standard response would be a nuclear attack, being force fed Kale chips, or cancellation on social networks.

The most likely scenario, terrorism by a rogue state or homegrown, would be devastating but localized, and it's believed that most Americans would prefer that terrorists target NYC, California, Texas, or Florida depending on their political affiliation."

Although this isn't helpful to those in an actual chemical attack, the Professor notes: "All wouldn't be lost. There's time to do maybe one or two items on your bucket list that only takes a minute while gasping for air."

This may seem like facile advice from an admittedly intelligent dog who thinks nothing of smelling butts and human feet, but the truth is a hard road that anyone earning less than $1,234,567,890 a year must follow.

The long-eared sage with the fluffy tail concludes in Chapter six of her book, "Hoc satirarum fragmentum non contemnitur."

Editor's Note: Those who are astounded by the pungent insights of Professor Ivy Of Shitzu U can delight in her upcoming autobiography, titled "I, Ivy" due out in September 2022.

- Al Handa
   August 2022



Those who’d like to read a preview of the book, “I,Ivy” can read the first three chapters on Kindle Vella until August 28. After that date, it will be taken down and combined with the unpublished chapters to create the ebook version in September.




The ebook “On The Road With Al & Ivy: The Anthology Volume 1 2016-2018 is now on Kindle Unlimited!

I’ll run free promotions later this month, but members can read it for free now.



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Tuesday, July 5, 2022

On The RoadWith Al And Ivy: A Literary Homeless Chronicle - July 2022



“The first bombardment showed us our mistake, and under it, the world as they had taught it to us broke in pieces."


- Erich Maria Remarque (All Quiet On The Western Front, Trans. from the German by A. W. Wheen)


One of the first things a child learns is that there are mysteries and elders who illuminate those are guides whose wisdom is unchallenged until the budding adult realizes that humans are moony phlegmatics who often make stuff up.


The Ancient races were terrified whenever the sky turned black until they could calculate when eclipses would occur, accompanied by rites and sacrifices. Thanks to the Priests, no one ever died from an eclipse.


Astronomy eventually became common knowledge and a source of wonder rather than fear. That didn't end the power of priests, who just found new mysteries.


...proof is in the pudding...


That's why astronomy can be common knowledge, yet people will still send money to Nigerian Princes or believe that the earth is flat.


Professor Ivy's controversial 1987 book, "Food Bowls Are Righteous," asserts that if the world was round then dog bowls would constantly slide downhill.


This writer is unable to formulate an intelligent rebuttal to that penetrating observation.


...it isn't enough to know...


It isn't enough to know. If the data doesn't solve the problem, allay a fear, or confirm what the person believes, then it has little power or validity. The notion that somebody wants to give out free gold can be more compelling than knowing that Black Holes are dying stars. 


It's more complex than that, of course, as most people know that there's lots of reasons and dynamics in play, and not everyone can be as smart as they are. 


We grant the point and move on...


Now that I've established that truth and knowledge aren't absolutes, there's a historical event I'd like to discuss.


...armchair generals and similar types of priests...


The first armchair general was documented in 456,7892 B.C. when a Thessalonian Chieftain decided it was safer to have a high-ranking Satrap lead the Army into battle instead of him. 


The new General was subject to micromanaging by the inviolate monarch, which included postgame analysis by warrior commentators who couldn't make it to the battle or were on the injured list.


It was known as "ˌbaksēt ˈdrīvər" which has no English equivalent but roughly translates to "Telling the chariot driver how to steer the horses."


The modern archetype was first described in pictures on a clay pickle jar in 567,8910 B.C. when fierce warriors in the region now known as Chicago staged a mock battle to celebrate the glorious victory of the Bears over the Red Sox in the Peloponnesian War. 


The ASCII illustrations on the jar show several men standing off to one side, critiquing the tactics used by the two tribal generals and expressing dismay that the armor used by the warriors wasn't period correct.


Noted War Expert and dog food blogger Professor Ivy of Shitzu U translated the passage in 1967, which reads:


"Notede camp gamæ critic atticuſ mcdougal gavæ th' mock c'mbaÞ onlī 2 stars, nōn-ọ̄ther sin th' armor ophe th' warriorſ waſ from th' sinnen perioede a'd th' explosionſ weræ obviouslī fakæ."


Other Armchair Generals added more clarity on the Rotten Rutabaga site:


"Marcis Ohreally is miscast as the gentle, sensitive commander who was forced to execute 800 of his men for dress code violations and flinching when the arrows showered down upon their heads."


Professor Ivy also noted in her translation, "Sometimes it's necessary for those who haven't seen combat to define martial values like courage and sacrifice as most soldiers are too preoccupied with their survival to delve into ethereal concepts of war."


...tribal chiefs...


That original Tribal Chief found that when a general was killed, there were plenty of others eager to take his place. This allowed him to concentrate on essential duties of state and a harem of 1,234 wives.


The brave Chief suffered a heart attack at around the 500th wife but luckily, there were 23 male heirs. After 22 died suddenly, the 23rd, a spry young man named Hoosier Acropolis assumed the throne.


His first task was to start a war, of course, so he summoned the latest general to give him the order.


The problem was Hoosier had no idea who to invade or how. Luckily, the General who was named Trojan Horace said it would be taken care of and all the Chieftain had to do was equip the Army, and he'd take of the rest.


Hoosier looked at the bill and wondered why the toilet seats cost 50 gold pieces each. Also, the new chariots that fired machine gun arrows weren't operational due to problems with the high-tech wheels that used innovative square geometry that would prevent cowards from retreating.


He decided that war must be like predicting eclipses and appointed a priest to handle the mysterious art, and went back to the vital task of creating a male heir with his harem of 646 wives.


...the original Pentagon...


The War Priest's first task was to commission a series of bronze tablets inscribed with stirring tales of the young Chieftain's courage in battle and prowess in bed, having reached wife number 323 before his untimely death from a hernia and dehydration.


This work, known as "The Bayou Tapestry" is considered the first published novel because nothing in it was true, though it's become a valued reference work on many Internet history web sites.


...now about modern warfare literature...


War literature is generally one of two types; Tales of great warriors and leaders that tend to be pro-management in sentiment or anti-war tracts written mainly by war veterans (or those who empathize with them).


That and movies. There are ultra-bloody and gory "war is hell" films that portray leaders as egotistical cretins who waste people's lives and live in luxury. Such celluloid tales won't be discussed in this blog because it isn't clear if Hollywood is talking about the Pentagon or studio heads and producers.


Please note that I've oversimplified for brevity and to meet the exacting standards of accuracy required for Internet commentary, which has a plus-minus rate of error of 50%.




...sides of the same coin...


Two classic works provide compelling views of both sides; Sun Tzu's "Art Of War" and "All Quiet On The Western Front" by Erich Maria Remarque.


Sun Tzu's manual was written sometime before 500 B.C., and like Homer, it's not clear if he was an actual person. The first English translation was in 1910 and was probably a cult item amongst Military types until it became a popular primer on leadership in business and other fields that purport to have leaders.


It isn't a pro-war book in the classic sense but some of it's popularity can be attributed to what could be called the "Cult Of Leadership," or the idea that a leader is responsible for the success of an army or organization.


An old war movie with this sensibility (like from the 40s or 50s) would depict an army or group of soldiers transformed into an enthusiastic bunch by a charismatic leader (generally a handsome alpha male) who also comes up with a clever trick that baffles the enemy and sends them running for home or to meet their maker.


More recent movies (with some exceptions) take it a step further and make it seem like battles are won by rock star warriors who break the rules, have guns that never run out of ammo, and please some of the males in the audience by bringing female officers down a peg or two.


That might be true for elite units that perform special missions, but after all the brilliant strategy and planning in World War 2, for example, Omaha Beach was stormed by regular guys just doing their duty and doing most of the dying.


...discussion groups...


Most amateur historians and war buffs will discuss strategy and tactics and critique the leadership.


Which is important; leadership is an indispensable element but like with analytics in Pro Sports, it's easy to talk theory and probabilities because that's what the ordinary person can see. Books like The Art Of War give readers a picture that's easier to grasp. 


Which is good. Even though the Military History genre has its share of jingo's, tech geeks, and war porn addicts, it's also produced valuable anti-war literature and a sub-genre of what could be called realistic war studies.


There's one book in the latter category that comes to mind, "The Face Of Battle" by John Keegan.


Keegan's book studied three battles that occurred in the same area of Flanders in France; Agincourt, Waterloo and Somme Offensive.


The book was a then groundbreaking study that examined what really happens during a battle. That is to say, what men actually did as opposed to the more poetic descriptions like "the men charged forward in an irresistible wave that carried all before them."


Keegan's book describes accounts by soldiers about men being issued gin or rum before battle, so they fought drunk, cavalry that avoided mixing it up and riding in opposite directions, Military Police behind the lines to catch deserters and shirkers, sergeants carrying spears in the gunpowder to push the line of soldiers forward if they faltered and many other fascinating facts.


The question that Keegan examined the closest was what made men fight when the battlefield was so terrifying.


...the common factor...


The most common reason highlighted in modern war movies was that men fought for each other. Which is undoubtedly true.


However, it's more complicated than that. The Face Of Battle delineates a list of factors from patriotism (professed by people at home as well as the commanders), peer pressure, threat of punishment, training to bypass the fear reflex, and tactics that place soldiers in situations that trigger the survival instinct or rescue comrades.


Those aren't factors that John Keegan made up. The book "All Quiet On The Western Front," written in 1929 by a war veteran, pretty much says the same thing (more on that later).


...how to make war...


James Dunnigan's 1983 "How To Make War" was a similar book for the World War 3 High Tech era. Unlike commentary that assumes weapons work as advertised, he took a hard look at the actual stats. He created a survey of modern armies and their hardware that differentiated between what people think a weapon will do and what it actually does.


It may seem vulgar or less important than a football betting line to have a working knowledge of military hardware. You might not be fooled into buying the Brooklyn Bridge for not knowing, but someone will sell you (the taxpayer) a destroyer that cost billions and couldn't use the main gun because the shells cost 800,000 each.


Such books are about the less sexy subject of logistics. It's more appealing to discuss strategy on the intellectual level or talk about warriors who lust for battle and kick butt a la Braveheart.


...anti-war novels...


It's not a coincidence that veterans often write anti-war novels. They see a different picture than the general public does.


In a key passage in Remarque's remarkable work, the main character Paul ruminates on how he ended up on the Western Front, and all of the factors that Keegan later wrote about are present. The sense of duty remains, but all of the glamor is gone.


...back to the movies...


Movies often focus on gore as it's an entertainment medium and serious anti-war films rarely sell tickets. The ones that do well focus on soldiers doing a dirty job that has to be done, complaints about management, and the glory of sacrifice.


The elephant in the room is the morality of war, and the usual plot device is to talk about the horror and futility but ignore the most obvious solution of refusing to do it (which happened a lot throughout history). 


There have been instances of large-scale mutiny. In World War One, a large part of the French Army went on strike after yet another battle that became a bloodbath. They didn't quit or desert but made it clear that there'd be no more offensives until changes were made.


The leaders were arrested (and some executed) but the French Leadership did appoint a new commander who promised that there would be no more wasteful attacks. This incident was, of course, kept secret from the Germans who would certainly would gone all out demanded terms had they known.


...Tet Offensive...


The French civilians didn't know either, having been fed a steady diet of victory news and takes of courageous feats. If they'd known, it would have probably created as big an outcry as the American public did during the Tet Offensive during the Vietnam War.


Although war buffs describe that situation as the American public (particularly Walter Cronkite) not seeing that it was a tactical victory for the American Army, it shows what happens when the Pentagon (and Intelligence agencies) gets called on B.S.


There are practical reasons for wartime leaders to keep secrets, of course, and a good example of what happens when the people and Army publicly lose faith in their leaders is the Russian Revolution. People generally think a bunch of Socialists just took over the country, but it was preceded by the complete collapse of the Army and surrender to the Germans.


...but it is complicated...


And to be fair, one does have to acknowledge that war is a complicated issue, and once the soldiers are committed, it's generally too late to start pondering the necessity or morality.


...in the trenches...


As Paul in the book All Quiet On The Western Front realized, in the trenches, there was little he could do about it except try to survive.


The Sun Tzu book doesn't help one understand war because any book of axioms gives the impression that there's a formula for victory. That effect is more pronounced in modern times because leaders no longer lead their men into battle (as opposed to Civil War Generals who died at twice the rate of the infantry). The further from the front, the more theoretical people get.


That's simplifying things a bit too much, but it's true. Wellington may have told his brigade commanders at the Battle Of Waterloo that they had to hold even if the cannon fire was devastating, but he did understand what the order meant because they were all under fire.


Most battle plans are conceived by rare geniuses or the more numerous average, mediocre or incompetent leaders. However, after all that, men still have to slug it out, and most attacks succeed due to better training and equipment, attrition, hard fighting, and luck.


And, of course, the remarkable and admirable courage of the average soldier. Which is why one will find more truth in a book like All Quiet On The Western Front than The Art Of War.


...all quiet...


Paul found himself in a terrifying situation, with no easy answers to the questions he asked himself but he did his duty.


The author Remarque served as a soldier in W.W. 1 and was severely wounded, so his book told the truth and asked the hard questions. His story didn't answer the question of why there's war, but it helped create the anti-war genre.


If veterans from each war keep writing books that ask, perhaps one day someone will be able to give an answer that everyone will agree upon. Until then, I hope they keep asking.



ANNOUNCEMENT: On The Road With Al & Ivy, The Anthology Vol 1 (2016-2018) now live!




I've put out an ebook called "On The Road With Al & Ivy - The Anthology Vol. 1." It contains the 30 blog entries from 2016 to 2018, which cover the start and end of my homeless journey. All have been re-edited with minimal revisions and notes to ensure clarity but preserves the mood and atmosphere of that period.


The Anthology has been placed as a free ebook on Kobo (epub) and as a .99 Kindle book on Amazon (which is as low as I can set it). The Kobo version is the same as the Kindle, except it doesn't have the introduction (which is reprinted later in this blog entry).


Both versions are available now.


I'll keep the free Kobo epub live until late July which will give anybody who wants a free copy plenty of time to download it.


After that, I'm going to pull Volume 1 off Kobo and enroll it in the Kindle Unlimited program and run it as a free book there for five days when it's eligible. 


I had considered "going wide" with it but didn't want a multitude of free versions in different formats floating around in cyberspace. 


Note: Feel free to share the book with friends, etc. Please do not upload it to any book site or distributor. It would force me to issue takedown requests to clear the deck for the transition to Kindle.


...Delta Snake...


The print version of the Delta Snake Review in the 80s was free (paid subscription if you wanted to get it by mail), yet at least one record store packaged it in sealed plastic and charged for it. I'm still a little salty about that.


I doubt that'll happen with this ebook but I do want a reasonable certainty as to where it's being distributed and want it in a nice format that keeps it a respectable work of art.


I consider it an archival project, and once it's set as a K.U. Ebook, will let it ride with just basic promotional effort after the free giveaway. It makes these 30 entries available to those who want it, and it's been a valuable first experience in the ebook environment.


...volume 2...


I'm compiling the 2019-2022 blogs as volume 2. The entries after 2018 evolved into a literary magazine-style format that encompassed essays, satire, photos, and illustrations. 


I'm not adding the 80s-era jazz-blues poetry referenced in the blogs is because its going to become an illustrated collection along the lines of of William Blake's "Illuminated books," a series of hand drawn works starting in 1788. Esoteric for sure, but almost all poetry these days is a labor of love.


I'll be doing an essay on Blake's Illuminated books at some point, so the reference will make more sense, but those are available in Kindle format if you're curious (and the samples aren't tied up with long introductions that keep you from the main body of the work). 


Since those blog entries won't be unpublished, I'll be free to format the volume in discrete re-edited and revised sections though the drawings will probably be kept with the associated essays. 


The idea will be to give readers a convenient, low-cost (probably .99) anthology of "back issues" and not to replace the blog, which remains free to read in chronological order. It's not a priority project but should be out around the summer of 2023.




...I, Ivy and Vella books update...


The "I, Ivy" book on Kindle Vella will be unpublished on August 28 and there have been no new chapters loaded since the initial debut.


The reason is that I'd like it to be available to overseas readers. The "Quitters" book is mainly targeted at an American audience but my hope is that the Ivy book will appeal to a wider audience.


I'm shooting for a late September release date for a series of novella length ebooks. Each "I, Ivy" volume will be around 25,000 words and priced accordingly. 


I'm going to revise the first three chapters that are online as those are currently written for the episodic Vella environment and seem a bit too sparse for an ebook.


The Quitters book should wrap up in early August and a book two will begin in October as a Vella series. Like with the Ivy book, that volume will be novella length (though more in the 45,000 word range) and after revision, be released as a low cost Kindle ebook.


That schedule may seem tight but the Ivy book is intended to be a light work that's fun to write (and hopefully to read), and the Quitters will mainly have material added that was left out of the Vella version.  




Here's the intro to the Anthology Vol.1


INTRODUCTION TO VOLUME 1 (2016-2018)


This anthology begins from the point I became homeless, or more specifically when I admitted it. "On The Road With Al & Ivy" was supposed to be a part of my Delta Snake Review blog, which focused on music and instrument reviews. 


The idea was to make it one of many features on the site. The first few entries drew a lot of readers. The visits went from 3,000 to 75,000 in two months, most of it from Twitter users. It was never clear why but Twitter labeled the Delta Snake Review on Google's Blogspot as an unsafe site which had a chilling effect on readership. Google and Twitter were in some dispute, which might have been the reason. A Twitter friend suggested that I might have been caught in a "reply trap" in which a group of users tagged me as a spammer, which can trigger a ban. 


I posted the link from another blog site as a workaround rather than give up the Delta Snake. It was intended as a temporary measure as Twitter was the only site that flagged it. I eventually decided to spin it off as a separate entity which Twitter allowed. It took time for readers to return since most had been told it was a dangerous site. 


That means many of the early entries will seem new. I kept posting entries even though a lot of the audience had gone away, which is what any true writer will do. My original plan was to revisit the early "On The Road With Al And Ivy" entries and correct any misspelled words and that sort of thing. 


One of the first things I noticed was that the entries were no longer in chronological order. Another oddity was that passages taken out in 2017 (after deciding to write a book about that time) were all back in. The mess was bad enough that it was easier to pull those entries from the site and reissue the re-edited material as an ebook, including the previously deleted material. 


One thing I knew would happen is that the essays feel different in tone and style (than those written in the last few years). The 2016 blogs were written by a person averaging two to four hours of sleep for a couple of months and had lost access to high blood pressure and anxiety meds. I was stressed and often snarky or angry even when trying to be humorous. My emotions ranged from forced optimism to grudging acceptance of the situation. 


My writing style used conventions that one could say were influenced by Jack Kerouac, Henry Miller and Tom Wolfe. 


In retrospect, that seems to be the case. Writing a collection of thoughts, fragments, and observations is well suited to a writer whose emotional state is wildly fluctuating. It's a sketchpad with every immediate impression written down. 


As a result, the subjects can range from deeply thought-out ideas to obsessions over trivialities. 

There's a complete picture there when taken as a whole.


I was often embarrassed by my writing but resisted the temptation to correct grammar or split the long Beat-style paragraphs into "proper English" sentences. These early chapters are more topical and reflect the emotions of a person trying to understand what was going on and why. 


There are several essays in this volume that are too strident and even a bit wrong or unfair but valuable as a snapshot of a homeless person's mindset and worth keeping unchanged. It was reassuring that the material now seems remote and shows that I've been recovering from the PTSD experienced later on. It makes me grateful for the small comforts of ordinary life. 


It's not a continuous narrative. I allude to events that were documented elsewhere on social media sites but decided to keep notes and references to a minimum. It's a collection of snapshots and updates that capture a mood, and Filling the book with explanations and notes would mute the impact. 


That abruptness isn't an affectation or stylistic decision. My time sense changed out there, and life went from moment to moment rather than the passing of minutes and hours. 


For reasons explained in the book, life felt like a blur that merged events from the past and present. Each blog entry described what was on my mind at the time. I left in passages that now seem overly dramatic or even scatterbrained. It's because there's a mood that editing would mute or destroy, so I'll just trust that readers will see the intent. 


For example, there are some comments about capitalism that might anger those who view it as a faith or natural law, but the point wasn't to preach Socialism or revolution. The underlying sensibility is that there is inequity in the system and it's natural to be angry or disappointed about it. 


A lot of what I wrote came from conversations with other homeless. They all aren't in a drug stupor and why they're out there is a compelling question that's talked about a lot. 


There were some features about Ivy that were deleted but mainly because those were part of the pictorials that were left out. The essays were kept in, including her obituary. 


I still wish that I'd have been able to bring her out alive, but I didn't leave her there and made sure her remains arrived at the new home before me. That fulfilled a promise that made in 2016 and will be explained in the upcoming novel. 


These chapters are source material but contain no spoilers and are deliberately vague at times to avoid outing people. For example, I didn't identify benefactors because there were homeless at the time who'd search out names to solicit cash. 


In the forward for the novel, there'll be full thanks for my rescue. That said, I'll get out of your way and let you read this ebook but will add one final thing. 


A woman who was a homeless advocate and activist wrote me in 2016 and said that the blog made it feel like she was in the car experiencing all these things.


 I hope you feel the same way and pray that none of you will ever have to live the life this book describes. 


- Al Handa 6/23/2022


END OF BOOK EXCERPT


-Al Handa


My music group, Handa-McGraw International has new singles out on Spotify, Apple, Amazon Music, Youtube Music and 140 other sites!




Don't for get to check out The Quitters on Kindle Vella!



























Friday, June 10, 2022

On The Road With Al And Ivy: Special Preview For Al Handa’s New Kindle Vella book, “I, Ivy”



This entry is to announce that announce and preview my newest Kindle Vella book, "I, Ivy," and it's an imaginary autobiography about Professor Ivy Of Shitzu U, edited and written by me from various fictitious sources. The first three chapters are live now (links at the end of this blog).

"I, Ivy" is inspired by Natsume Soseki's "I Am A Cat," which was a big hit in Japan as a serial in 1905 and eventually compiled into three volumes.

The books evolved, with the first being episodic and a fusion of imaginary cat stream of consciousness that included biographical details and sometimes snarky comments about the human condition. 

What made it a hit was that the satire was on target but rarely vicious. Soeseki's feline narrator was certainly peevish but described the personalities involved as ones who had faults and quirks rather than being good or evil.

In other words, there's an undercurrent of empathy and acceptance that makes the reader realize that we're all very much the same and most have good intentions.

Ivy's narrative is, of course, going to be different due to being a dog, but those who've read the Japanese classic will recognize the worldly and slightly conceited viewpoint that hopefully will also be funny and entertaining.

I should note that because of my admiration for Soeseki's work, I ran the episodes through a plagiarism checker to ensure that no subconscious copying occurred.

Another difference is that "I Am A Cat" was a commentary on Japanese culture, and the Ivy book is about a precocious Shih Tzu living in the United States.

The main character has been used as a persona in this blog under the name "Professor Ivydog of Shitzu U." The main reason is to have an obviously fake expert source for comic effect. There are other levels to it, but there's no need to go into that.

The title is a reference to the famous (or infamous to some) beat novel "I, Jan Creamer," which has been imitated so many times that I would have used a different title except that "I, Ivy" has a nice ring to it and it works. Other than that, my book has very little or no similarity to that Beat era milestone.

Robert Graves' 1934 "I, Claudius" predates the Cremer book, but few probably knew that in 1964.

The narrative style is first person, which is my favorite way to tell a story and intended to be a narrative in the same vein as other loose and gossipy works like "I, Claudius" and the 1759 book "Tristram Shandy" by Laurence Sterne.

The chronology isn't linear. The first chapter is like someone introducing him or herself and jumps around in time like in a casual conversation.

The second chapter describes Ivy's rescue and adoption (more or less), and the third is about arriving at her new home.

I introduce two characters who'll be regulars, the vet named Stan, and Ivy's rescuer, an eccentric woman who calls herself Jezebel (for reasons outlined in the book).

Jezebel is a sort of guardian angel and mentor to Ivy. While her antics may come off as eccentric, you'll find that many people who dedicate themselves to an uncompromising lifestyle are perceived the same way.

Finally, I should note that this is a work of fiction intended as entertainment and any resemblance to any person, living or dead, is purely coincidental.

I've taken a lot of liberties with the Ivy character, but to paraphrase Rousseau, her characterization may be short on facts, but not on the truth.

This book is a tribute to a good friend and companion and I'll enjoy exploring this character over the next few months.

The first three chapters are free, and I hope you'll check those out and enjoy the story. I'll also appreciate it if you leave a thumbs up if you visit. 

This is the direct link: 


Note: This serial can be accessed in the Kindle app. Just search for Al Handa or "I, Ivy" and it should come up.

The Al & Ivy Homeless Literary Journal Archive:

There are earlier blog entries on the Delta Snake Review section of this site that aren't on the On The Road page:
http://deltasnake.blogspot.com

Cover Reveal For Hide In Plain Sight


This is the cover for the upcoming book, Hide In Plain Sight, hopefully out sometime in 2022.


Also check out my channel on YouTube, The Electric Fog Factory!


...And check out my other Kindle Vella book, The Quitters!



The Quitters Update - May 2022

The book is up to 20 chapters, though that's due to keeping the episodes short to prevent each from being too expensive. My preference would be for less and each to be twice as long so more detail and backstory can be added. 

What I'm planning to do is end this book sometime during July with the main character heading to Southern California. Instead of making it a very long series, I'll continue Nym's adventures there into a second book and that'll allow me to extend the story into the early 80s. I haven't decided if the character will go into synth pop, new wave or power pop yet. It's been fun creating this book, so I'll just keep writing it on the fly and explore.

I'm going to compile the episodes in the first book and after revising it, put it out as an eBook. I can add a lot of material that would have added a lot of color and context to the story but slowed the pacing down in the Kindle Vella episodic format. For example, I had planned to add a running narrative about the English and New York punk scenes to the book, but left a lot of that material out. The eBook version will give the reader a fuller view of the late 70s punk movement and also more about how the Rock Establishment reacted to it.

I did integrate some of that into the episodes, but the fuller chapters struck me as being more appropriate for a full novel one can read at a more leisurely pace. I enjoy the Vella format as it's nice to essentially get paid to develop a story, but it's obvious that a serial and a discrete novel are two different types of projects. Each has it's advantages.

Hide In Plain Sight Update - May 2022

One major change is that I've decided to use the original ending that was in the early drafts. The events in my book actually ended a few weeks before Ivy passed away, and including that sad time made it necessary to rewrite the second half, or more specifically, create a new set of chapters to cover that and the aftermath. The book had to be built up to a different ending and the new chapters never felt like a good fit.

The original drafts were a bit dark, though I rarely revised the wording of the key passages. One of the things I had to deal with out there was the constant fear and fatigue from irregular sleep. That affected how I behaved and it shows in the pacing and wording of the early chapters. It’s important to keep that feel, as the later chapters are about coming to terms with the situation and the help that people on the Internet began to give me. 

I struggled out there, but Ivy, a rescue dog with some issues from her past began to blossom and became quite happy and settled. She became my therapy dog and her part of the book should be a celebration of all that, and how inspirational it was. 

The best tribute would be to put out the book as originally planned, where both Ivy and I found a way to survive and even find some happiness out there, as unlikely as that might seem to someone who hasn't been a homeless person.

Even the worst luck eventually changes. Unless one can shed the shame reflex, blame, depression and fear and keep oneself whole, you won't be in any condition to respond when the opportunity to get out comes along. I think the original version does a good job of showing how we managed that. Having everything in it is more like a biography, which is a different kind of book, and not my intent.

The original book was 3/4 done. That means it should be completed for sure this year and it'll feel good to finally get it out. To paraphrase Henry Miller, I want to get this book done so I can get working in the next one.

..Chapter Excerpts...

Chapter 4: Nym’s Cool World

"It's a crisp August evening in the sin section of Broadway Street. The summer crowds are gone, and the sound of cars and busses are replaced by the shrill, desperate pitches of strip joint barkers now fishing in depleted waters.

Night is the best time, there's less detail, and the world’s simpler. It's easier to be me, enjoying the feeling of knowing I’m coming back to play again.

I’m skipping the third band, and just workin' on my Punk 'tude outside the pinball parlor next door. I'm puffing on a French cig, which adds cool and helps me resist the rich smell of Phillipino food from the restaurant section of the club. My macaroni and cheese dinner with a coke chaser is starting to wear off."

Chapter 5: The Negatives: A Punk Action Movie In Real Life

"The crowd’s colliding like bumper cars, so Ross jumps and twists in the air, giving the tourists a picture of wild, chaotic energy. 

It's like a modern art painting in motion! The Negatives' show has something for everyone! 

I'll have to ask Ross how he manages to get so much of his tongue hanging out like that. Whenever I try, I start gagging.

The fourth song, "Planet Toe Jam" is slower, which cools down the slam dancing. They want the crowd to just stand there, which sets up what's coming next. Plus in a longer set, it helps to have a romantic number so people can slow dance if they want to."

Chapter 6: Herman Hesse's Glass Bead Game - The Punk Version

"I gotta say he looks the part of a great artist; a big burly skinhead type who named his band after a Hermann Hesse novel. He says names like "Steely Dan" from Burroughs' "Naked Lunch," are too New York for his taste. Besides, being named after a dildo is so 60s!

I took Ida to see his show last month, and after she calmed down and agreed to not press charges, described the act as "Butt Love horseplay masquerading as performance art. It's definitely not entertainment."

I told Stew what she said, and he had the comment added to the group's press kit and asked me to thank her for the great review!"

Chapter 7: Marly Tells A Punk Bedtime Story

"Marly cuts the horn, then freezes like a brave knight who's just slain a dragon, which seems odd until I realize that some tourists are taking pictures. 

I subtly turn so my left side faces the cameras and pout at the ceiling. I take the goolie out of my mouth and hold it with two fingers near my chin, so the smoke curls near my face. Keeping it in your mouth makes you look like a puppy chewing on a biscuit, not very punk."

Chapter 8: Celebration At The Pup Chuck Wagon 24 Hour Hot Dog Diner

"There's no better place for a rising star to bask in new found glory than Pup Chuck Wagon, the 24 hour hot dog diner, a haven for San Franciscans who have more coolness than cash. Cheap food and everything you sit or eat on is washable!

I can afford a mustard dog, small fries and coffee if I use my bus money. It's only a half hour walk home and this night of achievement calls for a feast!"

Chapter 9: Nym's Walk Home

"How did you know I spent my bus fare?"

Jesus guy sighs, "You passed a bus stop on Stockton without stopping, I'd have given you the fare but Phil came, so I just took the next bus."

"You assumed Phil would give me fare money?"

"I ordained it, it's what I do child, besides, I can't go giving you cash every time you go broke, my wallet would be so light it'd float me back into Heaven and I'd have to do the Resurrection all over again."

End of excerpts...click link below to continue (for free of course)